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HYBRIS 5
Luis Royo
COMIC
Watercolor, acrylic with airbrush and oil on carboard paper.
Size 36.5 x 50.5 cm.
Year of realization 1980
Comic page of the short story "Hybris" with script by Antonio Altarriba.
Page 5 of the series "Hybris" published in the magazine Heavy Metal (USA) in July 2006. And in the album Desfase, published in Spain by Ikusager, year 1986. Also in the book "El Paso del Tiempo" published by Norma Editorial in 2011.

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MALEFIC TIME, APOCALYPSE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17.5 x 24.5 cm. in a format of 29.5 x 34.5 cm.
Year of realization 2009
Signed in the bottom-right of the piece.
It belongs to the serie Malefic Time Apocalypse.
"Soum stood out for his skills and speed from his incorporation into the fraternity, his years of street life outside the law and his suspicious nature by nature were very useful."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art
 

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HYBRIS 7
Luis Royo
COMIC
Watercolor, acrylic with airbrush and oil on carboard paper.
Size 36.5 x 51 cm.
Year of realization 1980
Comic page of the short story "Hybris" with script by Antonio Altarriba.
Page 7 of the series "Hybris" published in the magazine Heavy Metal (USA) in July 2006. And in the album Desfase, published in Spain by Ikusager, year 1986. Also in the book "El Paso del Tiempo" published by Norma Editorial in 2011.

Log in to view pricesavailable23h 7mn ago
HYBRIS 6
Luis Royo
COMIC
Watercolor, acrylic with airbrush and oil on carboard paper.
Size 36.5 x 51 cm.
Year of realization 1980
Comic page of the short story "Hybris" with script by Antonio Altarriba.
Page 6 of the series "Hybris" published in the magazine Heavy Metal (USA) in July 2006. And in the album Desfase, published in Spain by Ikusager, year 1986. Also in the book "El Paso del Tiempo" published by Norma Editorial in 2011.

Log in to view pricesavailable23h 7mn ago
HYBRIS 8
Luis Royo
COMIC
Watercolor, acrylic with airbrush and oil on carboard paper.
Size 36.5 x 51 cm.
Year of realization 1980
Comic page of the short story "Hybris" with script by Antonio Altarriba.
Page 8 of the series "Hybris" published in the magazine Heavy Metal (USA) in July 2006. And in the album Desfase, published in Spain by Ikusager, year 1986. Also in the book "El Paso del Tiempo" published by Norma Editorial in 2011.

Log in to view pricesavailable23h 7mn ago
MALEFIC TIME, APOCALYPSE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17.5 x 25 cm. in a format of 25 x 35 cm.
Year of realization 2009
Signed in the bottom-right of the piece.
It belongs to the serie Malefic Time Apocalypse.
"Who was before her was ultimately responsible for what she was now, the only figure, the only reference: mixed feelings, love and hate in the soul."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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CONCEPTIONS III SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17.5 x 25.5 cm (6.88 x 10.03 in) in a format of 22.5 x 31 cm (10.03 x 12.20 in)
Year of realization 2004
Signed in the bottom-right of the piece.
Published inside the author's book Conceptions III, page 54.


 
"All fields have been carried away by this inexplicable force that attracts the collective thought without exclusion of gender or sexual orientation, painting, film, print, advertising, internet, etc."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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FOG AND GOLD
Luis Royo
PAINTING
Acrylic using airbrush and oil on paper.
Painted surface 29 x 45.5 cm (11.41 x 17.91 in) in a format of 49 x 65 cm (19.29 x 25.59 in)
Year of realization 2002
Signature in the bottom-right of the piece
Illustration published inside the author's book Visions, page 25.

 
"Fog and smoke. Gold and alchemy. The smoke, the rise represents the relationship between heaven and earth. The axis of the world. The gold, the first sulfur, the subject of the philosopher's stone. Its sign is the green fruit not mature of the tree of knowledge. "

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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SOUM´S MISSION
Luis Royo
PAINTING
Acrylic using airbrush and oil on paper.
Painted surface 30 x 40 cm. in a format of 49 x 69 cm.
Year of realization 2011
Signed in the bottom right
Published inside the author's book "Malefic Time, Apocalypse", page 17.

 
"Tokyo streets had shaped her. Among the morass she had left her childhood and adolescence. The Sisters had given her not only iron discipline and preparation, also all the weapons to confront the streets where she was born and the difficult task ahead."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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CONCEPTIONS III SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 25 x 35 cm (9.84 x 13.77 in) in a format of 34 x 45 cm (13.38 x 17.71 in)
Year of realization 2004
Signed in the bottom right of the piece.
Published inside the author's book Conceptions III, page 51

 
"When other elements, like an animal, an elderly figure with wrinkles or even a male body is drawn, the precision of millimeters is usually less important."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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CONCEPTIONS II SERIE
Luis Royo
SKETCH
Graphite on tracing.
Painted surface 7.7 x 10.5 cm. in a format of 14 x 14.5 cm.
Year of realization 2003
Signed in the bottom right
Published in the book of author Conceptions II, page 13.

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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MALEFIC TIME, APOCALIPSE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 20.5 x 28 cm (8.07 x 11.02 in) in a format of 26 x 38 cm (10.23 x 14.96 in)
Year of realization 2009
The signature can be located in the bottom-right part of the piece.
Belongs to the Malefic Time Apocalypse series.

"Soum was renowned for her skills and speed since joining the brotherhood. Her years of street life out of the law and her suspicious nature were very useful."


With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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THE DANCER OF PAIN
Luis Royo
PAINTING
Acrylic using airbrush and oil on paper.
Painted surface of 53 x 37 cm (20.86 x 14.56 in) in a format of 69 x 50 cm (27.16 x 19.68 in)
Year of realization 2004
Signed in the bottom right.
Published inside the author's book Subversive Beauty, pages 76.77.

 
"The pleasure and beauty as subversion of power and even religions. The pleasure and its search as a right of man."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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LATEX OMEGA
Luis Royo
PAINTING
Acrylic using airbrush and oil on paper.
Size 33 x 48 cm (12.99 x 18.89 in)
Year of realization 2000
Signed in the bottom-right near the boots.
Published inside the author's book Prohibited II on page 7 and in the book Prohibited (New Remastered Edition), page 59.

 
"We purposely close every window, we erase horizons and clear the air, and in dark and damp corners we feel the pleasure of all things that cannot be."

With its abundant production, Royo becomes a true mass phenomenon. His books are numerous editions and are poured into French, German, English, Italian, Russian and Portuguese. Magazines such as Stampa, Airbrush-Action or Penthouse dedicate reports to him on his pages. Festivals, art galleries or specialized shops continuously organize exhibitions and tributes. He has made covers of books for great authors and has received awards such as the Silver Award Spectrum (The best in contemporary, Fantastic Art) and The Inkpot Award Comic Art (Comi-con International) in the United States, or the Fantasy Award The Pilgrim in CTPAHHNK, in Russia. The Millennium Prize of Fumetto Cartoo Mics in Italy, etc.
- Antonio Altarriba (Writer and image theorist)
 
The male dragon with a hairy body, whose name is sulfur, fell from the Sun. Night has put things out of balance. Now one can no longer contemplate the two hermetic dragons, the true principle of wisdom that the wise men hid from the eyes of their children. At night, only the female dragon rules, winged, with a rabbit’s snout, damp and volatile.
- Luis Royo
 
QUEENS
Although they appear to be the shadow of the King, as mere decorative elements, Queens exercise great influence. Because of this, Queens usually acquire more relevance than their husbands because while kings have power, Queens have many Powers. In front of power, the world obeys, but in front of the many Powers, the world is transformed.
There is a queen of love and another of panic. There are queens of unfulfilled desires and forgotten caresses, of impossible projects, lost glances, remembered dreams, of secret pain, and of the baited breath. There is also a queen who dies with the full moon and is reborn on the fourth waning of the moon.
There are discreet queens, small queens, and those without crowns. All are extraordinarily influential. There are queens of the common life and daily routines. There are queens of lost socks, queens of blunders, queens of broken nails, and queens of chipped plates, empty trays, disorganized drawers, and a queen of sad smiles. There is even a queen without powers that only serves to console the unsuccessful.
The queen’s crown is not made of gold or precious jewels, but with a touch of night and a few drops of silver. On the feminine heads, black crowns with eyes can be found, with sharpened points of hair, shark bones, scarab wings, and water that springs from a fountain of red lips.
There exists a damned queen, banished from all other kingdoms. Outlawed since the beginning of time, she has grown in solitude and has made herself as high as the flight of an eagle and as scarce as the flapping of a vulture. She moves through all pathways, wrapped in her black robes, confident that one day she will conquer the world. This is her majesty Death.
- Fantastic Art

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KISHARGAL - GODDESSES OF NIBIRU SERIE
Romulo Royo
PAINTING
Ink, acrylic and oil on canvas.
Size 162 x 130 cm.
Year of realization 2015
This important painting is a clear demonstration within the series, of the different techniques used to achieve delicacy, lightness and an antagonistic transparency at the very moment in time that warns us that something might happen. It is undoubtedly one of the important pieces in the Goddesses series, in terms of both its size and the treatment of the picture.
In the series, Goddesses of Nibiru, he reflects the play on myth and reality. Delicacy and strength are represented by the female figure. He captures beautiful, enigmatic and sometimes almost veiled features, as if in a dream or an illusion. The garments and ornaments that he adorns them with are timeless, objects that may conjure up ancient civilizations, such as feathers and metallic ornaments in contrast with futuristic elements, like strange headdresses and, in certain pictures, beams of light shining out from inside the strange characters’ necks.
Royo brings his own brand of aesthetics, centred on the goddesses that inhabit the planet called Nibiru, following texts from Mesopotamia and Babylon. According to these texts, it is a planet in the solar system that orbits around our star every 3,600 years. Nibiru is the home of the goddesses, of the Annunaki, or in other words, winged creatures.
It is curious that in Mesopotamic mythology a division can be made between Sumerian and Semitic divinities. First came the Sumerian gods, to be later adapted by the Akkadians, Babylonians, Assyrians, Arameans and Chaldeans (all Semitic peoples), only to then go on to become sources for Christian and Hebrew religions to draw on. And they adapted gods like Enki, Enlil, An and Inanna, among others. In some cases, they have similar attributes in the latter religions as in the ancient texts, though adapted and differently named.

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SAMAEL II - SERIE DEMONS
Romulo Royo
PAINTING
Traducir texto al inglés
Size 35 x 50 cm.
Year of realization 2009
Traducir texto al inglés
Traducir texto al ingles
They tempted us with the world, and we left the horizon behind.
We were shown beauty and we added desire.
They pointed out the unknown and we began to think.
We discovered the flesh and we rejoiced multiplying.
I gazed at the moon surrounded by darkness and peered into its den.
I hooked inside myseef and found hundreds of them.
I felt human.

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METAL-PIEL XI
Romulo Royo
PAINTING
Ink, acrylic and oil on canvas.
Size 195 x 130 cm.
Year of realization 2009
From the series, Metal-Piel, painted between 2008 and 2009, which has been exhibited at venues such as the National Museum of Contemporary Art Metelkova in Slovenia, Can Framis Museum and Moscow’s 4th Biennale of Contemporary Art.
It is a large, mixed-technique picture. Cold metal adorns the girl’s angelical face, which is a whirlpool of contradictory emotions, innocence, sensuality and enigma, in keeping with many of his works.
Eroticism of the transgressor.
Bataille considers that the dialectic of transgression and prohibition is the condition and even the essence of eroticism. An arena of violence, what occurs in eroticism is dissolution or the destruction of the enclosed being: the normal state of a player in the game.
Videncia, Velamiento y Ceguera by Fernando Castro Florez of the Advisory Board, Reina Sofia Museum of Contemporary Art.

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AYA - GODDESSES OF NIBIRU SERIE
Romulo Royo
PAINTING
Ink, acrylic and oil on canvas.
Size 46 x 38 cm.
Year of realization 2015
This picture’s setting lends a mysterious air to the scene, making the painting powerful and original.
In the series, Goddesses of Nibiru, he reflects the play on myth and reality. Delicacy and strength are represented by the female figure. He captures beautiful, enigmatic and sometimes almost veiled features, as if in a dream or an illusion. The garments and ornaments that he adorns them with are timeless, objects that may conjure up ancient civilizations, such as feathers and metallic ornaments in contrast with futuristic elements, like strange headdresses and, in certain pictures, beams of light shining out from inside the strange characters’ necks.
Royo brings his own brand of aesthetics, centred on the goddesses that inhabit the planet called Nibiru, following texts from Mesopotamia and Babylon. According to these texts, it is a planet in the solar system that orbits around our star every 3,600 years. Nibiru is the home of the goddesses, of the Annunaki, or in other words, winged creatures.
It is curious that in Mesopotamic mythology a division can be made between Sumerian and Semitic divinities. First came the Sumerian gods, to be later adapted by the Akkadians, Babylonians, Assyrians, Arameans and Chaldeans (all Semitic peoples), only to then go on to become sources for Christian and Hebrew religions to draw on. And they adapted gods like Enki, Enlil, An and Inanna, among others. In some cases, they have similar attributes in the latter religions as in the ancient texts, though adapted and differently named.
When the second year came the men had already exhausted the stored.
When the third year arrived the looks and the beauty of people were changed by the hunger. (...)
When the fifth year arrived, a daughter would look at her mother; A mother would not open the door to her daughter ....
When the sixth year arrived, they served a daughter for a meal,
 
Atrahasis Sumerian poem on the Creation and the Flood. 2nd Millennium. b.C. approximately.

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METAL-PIEL
Romulo Royo
SCULPTURE
Aluminum sculpture 3/5

Size 51 x 62 x 64 cm.
Year of realization 2007
Work published inside the author's book Siameses, pages 24-25.
An aluminium sculpture, the man coming out of the wall, belonging to the Metal-Skin series. One of the five existing sculptures was modified for the gardens of the Alcort Foundation when it was bought and it was published in Romulo Royo’s book “Videncia, Velamiento, Ceguera”, pages 34-35.

Width : 12

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GODDESSES OF NIBIRU I
Romulo Royo
PAINTING
Ink, acrylic and oil on canvas.
Size 162 x 130 cm.
Year of realization 2014
This picture is the first that the artist painted for the Goddesses of Nibiru series and those familiar with his work can see that it is a transition from the series Tomoe Gozen to Goddesses, which makes it a singular piece. The treatment of the skin is of superb realism. The pearly skin achieved with layers of oil paint, give it a special gleam and realism. The background is very fluid and contributes a fresh image to the picture in spite of its realism. Romulo points our attention in the direction that he wants, the face reveals eyes watching us mysteriously from behind the mask.
This picture is an unquestionably good work in terms of both the quality of painting and the period that it belongs to and symbolizes, as the first picture in the Goddesses series.
In the series Goddesses of Nibiru, reflects the game of the myth and reality. The delicacy and strength represented by the female figure. Captures beautiful, enigmatic and sometimes veiled factions, as if it were a dream or illusion. The costumes and ornaments he decorate them with are timeless, objects that can remember us ancient civilizations, such as feathers, dressings with metal pieces.
Royo brings its own aesthetic, centered on the gods who inhabit this planet called Nibiru, basing on Mesopotamian and Babylonian texts. According to these texts it is a planet in our solar system that orbits our star every 3600 years. Nibiru is the home of the gods, of the Anunnaki, or what is the same, winged beings.

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METAL-PIEL II
Romulo Royo
PAINTING
Ink, acrylic and oil on canvas.
Size 55 x 46 cm.
Year of realization 2010
This work belongs to the series Metal-Skin. Cold metal adorns these angelical faces and in this case the eyes are daringly scratched out, creating and contributing to the character’s mystery. The critic Fernando Castro of the Advisory Board at the Reina Sofia Museum of Contemporary Art, wrote the following about Romulo Royo’s work:
Lucid blindness.
I have the impression that Romulo Royo has known how to direct the inward gaze and even has materialized a certain sense of blindness. Some of the eyes on his faces are crossed out, thus denying any relationship with the outside world. What would the truth be, asks Bataille, if we did not see what exceeds the possibility of being seen? Blindness is the story of abandonment. That which is most beautiful ends up sinking into the depths of memory. However, it is not solely sin and pain that flourishes in this impossibility to see, as blindness can be a gift . The destiny of a mirror rests in the transformation of the impotence of one’s eyes to the condition of blindness . Perhaps blindness, as Paul de Man would purport, is a form of lucidity and darkness can provide fertile ground for a gaze inward. Painting or art in general is always found at the edge; it is what can barely be touched or, better yet, that which marks out a distance by delivering itself to a pure vision . It may be that we must close our eyes in order to truly see. This would assume that in fact what we need is our sense of touch in order to determine the real, whether it is to confirm that a wall lay in front of us or, in other words, to see the void which gazes at us . We must be aware, according to Lacan, that in a painting an absence can always be noted: what is found in the center, where the eye’s resolution exerts the maximum force over vision. All in all, it can only be absent and replaced by a hole which, in certain measure, is the reflection of the pupil. Consequently, and in the measure in which a relationship is established with desire, the spot of the central screen in the painting will always be marked, which in turn, the observer facing the work is elided as the subject from the geometrical plane. When Lacan denotes that “what one contemplates is that which can not be seen,” he alludes to the search of the lost object, to the optical circuit and the drive which are conditioned by the mirror through which the desire to see makes everything materialize.
Videncia, Velamiento y Ceguera by Fernando Castro Florez of the Advisory Board, Reina Sofia Museum of Contemporary Art.

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SIAMESE IV
Romulo Royo
PAINTING
Ink, acrylic and oil on translucent paper with frame.
Size 100 x 70 cm.
Size with frame 118 x 88 x 6cm.
Year of realization 2008
Published inside the author's "Videncia, Velamiento, Ceguera", página 26.
Painting that belongs to the Siameses series from 2006 to 2008.
The distance from this John Berger reflection to that of Romulo Royo is just a one step between their “resistance”. The resistance of the individual and group experience; that of the individual who exists ever further from himself and that of a society which we mark as a group which evolves in perfect harmony with an imposed criteria, always loaded with hereditary conditions that impede or drag us down, if not one that represses our way of being and acting. I believe it is this point where lies the significance of the project on the idea of siamese; an arrival at a place which becomes a reflection of a way of thinking, and in turn, invites us to explore the evolution of the artist himself.
Glòria Bosch
Art Director of the Vila Casas Foundation

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THE GLEAM OF VEELA
Romulo Royo
PAINTING
Ink, acrylic and oil on canvas.
Size 162 x 130 cm.
Year of realization 2014
The Gleam of Veela is a majestic painting in terms of composition, treatment and evolution. It is a picture of large dimensions which has been transferred to many different media, including Malefic Time Akelarre, role-playing books, limited editions and tarot cards.
It belongs to the series Goddesses of Nibiru, reflects the game of the myth and reality. The delicacy and strength represented by the female figure. Captures beautiful, enigmatic and sometimes veiled factions, as if it were a dream or illusion.

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PERPETUO PRESENTE
Romulo Royo
STUDY
Charcoal and acrylic on paper
Size 38 x 28 cm.
Year of realization 2005
Sketch made for the commission of "Perpetual Presente" by the poet José Enrique Martinez.

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IMMACULATE
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper "Schoellers Dure Matte" 350 g/m.
Painted surface 34 x 54 cm (13.38 x 21.25 in) in a format of 50 x 70 cm (19.68 x 27.55 in)
Year of realization 1995
Signed in the bottom-right near the monster's ankle
Information about the condition of the piece:
Original in perfect condition.
We present this magnificent original painting by Luis Royo of one of his most famous works. This painting appeared for the first time in his author's book Secrets in the November 1995 edition, published on page 25. And in his book Fantastic Art compilation, page 60-61. Both edited in several languages ​​and distributed internationally. It is one of the most published works of Royo, also appeared in calendars, trading card, posters, and all kinds of impressions.
In an enveloping atmosphere of yellow and ocher bucolic, her delicate figure offers us sweetness and conviction at the same time, and her tranquility dominates triumphant the monstrous. It is one of the emblematic pieces of Luis Royo, one of his most famous and desirable paintings, and an ideal representation of his work both in terms of theme and style, as it shows the polished and finely detailed realism that Royo is so appreciated We have here a modern masterpiece with which is the artist who can claim the definition of the fantasy-erotic-apocalyptic genre.

Luis Royo has made the myth of “beauty and the beast” his principal theme, effortlessly moving from horror to the lyrical. Whatever the theme, his characters waltz effortlessly between epic and erotic. The subject´s flesh is overlaid with a defiant and threatening tone, marking them more exciting. As Royo knows all too well, when the dark ghost of death looms over the hero, the suggestion of sex becomes more intense.
When studying his characters, one notices that he places the subject on the border of tragedy, where they can shine more brilliantly. Their frozen position anticipates a destiny as attractive as it is cruel. Clutching their weapon, they await the next attack. Their intensity and the tautness of their muscles make them even more beautiful and dramatic. In the blink of an eye they can disappear, having been devoured by the danger that encircles them. But the immediate future doesn´t interest Royo. He portrays that penultimate moment, when the inner soul of the hero is revealed.
– Antonio Altarriba (Screenwriter and image theorist)




Luis Royo is perhaps the most highly regarded pinup/fantasy artist of the past twenty years. He is world renowned as the master of this genre, and he is the single most published cover artist in the history of Heavy Metal magazine. Royo, more than any other artist, is credited with defining the look of Heavy Metal magazine, and influencing the world of modern fantasy and pinup art. Royo's artwork has graced the covers of hundreds of magazines and books, and his work has been collected in a best-selling series of books devoted to his work. He is a rarity in the world of illustration art in that his popularity is literally worldwide. It is especially noteworthy that his original paintings are virtually nonexistent in the marketplace. Royo's most desirable work, his famous signature pieces, are those of strong women, presented in this unique style, where the worlds of science fiction, fantasy and pinup collide. The fact that the emphasis of Royo's marketing lies in the publishing (calendars, books, prints, etc.) and licensing of his work, rather than the selling of his originals (and the fact that he does not accept commissions from collectors), plays a great role in the virtual absence of his material in the marketplace. This is a major museum-quality work by Luis Royo, the legendary master of fantasy art.
- Robert Edward Auctions

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SERIE NEW PROHIBITED 34
Luis Royo
COLOR PENCIL
Graphite and oil on tracing paper.
Painted surface 17.5 x 25 cm. in a format of 24.5 x 34 cm.
Signed in the bottom-right of the piece.
Year of realization 2010
Work done for the author book Prohibited, New Remastered Edition, erotic line. This unpublished pencil since it did not get published in the book, belongs to the expansion project with other new works that were made for this new reissue of the well-known Prohibited trilogy. Book published in several languages and distributed internationally.
What is the most forbidden but the most desired?
What are the darkest secrets hidden in the depths of the human psyche?
What is eroticism but the materialization of our deepest and wicked dreams?
- Luis Royo


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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 19.5 x 25 cm (7.67 x 9.84 in) in a format of 25.5 x 36.5 cm (10.03 x 14.37 in)
Year of realization 2003
One of the previous versions to the final illustration Winter Warriors. Published inside the author's book Conceptions II, page 19. Edited in diferent languages.

"These pages are intended to collect notes of distant adventures, to immerse themselves in times of magic and ancient warriors".

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VOICE OF THE WHIRLWIND
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on canvas.
Painted surface 65.8 x 49 cm. in a format of 81.7 x 56 cm.
Year of realization 1986
Signed in the same figure in the cartridge belt.
Information on the condition of the painting:
The original is in good condition taking into account the time elapsed since the completion of the work.
Cover of the novel "Voice of the Whirlwind" by the writer Walter Jon Williams, published in 1987 by Tor Books (USA). Walter Jon Williams is the author of "Knight Moves" finalist of the Philip K. Dick Award, and "Hardwired", both published by the publisher Tor and whose covers have also been made by the artist Luis Royo.
Likewise, it has been the cover of the novel by the writer Isaac Asimov entitled "Lucky Starr" and published in Germany by the publisher Bastei Lubbe. This original has been published in various media, such as the Trading Cards collection "Forbidden Universe 2" Luis Royo who edited the house Comic Images. And inside the author's book Women, pages 40-41.
"Williams has created a three-dimensional world, characters who develop believably, and a fast-moving story. Any writer who has done all this shows enough respect for his readers to deserve theirs in turn."
- Chicago Sun-Times

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SERIE NEW PROHIBITED 27
Luis Royo
COLOR PENCIL
Graphite and oil on tracing paper.
Painted surface 17.5 x 25 cm. in a format of 25.5 x 35 cm.
Year of realization 2010
Signer on the lower right part of the piece.
Work done for the author book Prohibited, New Remastered Edition, erotic line. And published inside, page 56. This pencil belongs to the extension with other new works that were made for this new reissue of the well-known Prohibited trilogy. Book published in several languages and distributed internationally.
"Walk without making noise for those places that steal our time, for all those hobbies that never tell us their true way to trap us and imprison us, walk slowly through all the clocks that have nothing to tell, unopened boxes of surprises".
- Luis Royo

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NEW SECRETS 2004
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper "Schoellers Dure Matte" 350 G7m.
Painted surface 31 x 42 cm. in a format of 50 x 62.5 cm.
Year of realization 2004
Signed on the right side with the signature reversed, as in other of the diabolical theme illustrations in which the artist uses this peculiarity of signing them from right to left, to see them in their normal position through the mirror.
Illustration made for the book of author Subversive Beauty, published inside, page 63. And as cover of the reissue of the book Secrets. Both edited in several languages and distributed internationally.
This work has been carried in a multitude of publications and reproduced in reports and articles. Laberinto Gris has also selected it for a limited edition.

The success of Luis Royo is due largely to the originality of his work, which has broken through traditional barriers and revolutionized the world of illustration. He has a keen interest in fantasy themes, though he experiments with other themes like the western, historic epics, and romance. Setting aside his themes, his innovative style breathes power while radiating a fragile, almost mystic transparency. Royo´s treatment of the human figure, especially his women, endows the body with a soulful brilliance. His use of color, from the most saturated gamma to the most despoiled gray is contrasted with an intense touch of chrome, creating an aura of fascination that invites us to enter his world.
Despite the consistent use of certain elements, Royo´s style reflects a clear evolution. When reviewing his work chronologically, one can see a refinement in his style and the reinforcement of his theme, as each composition becomes even more poetic and graceful. The apparent simplicity of his drawings is deceptive, allowing for a complex plot and a range of artistic options. His permanence on the front lines in the world of illustration and his increasing success is the result of his constant, subtle, and effective experimentation.
Antonio Altarriba (Screenwriter and image theorist)

As described by Robert Edward Auctions:
Luis Royo is the cover artist most published in the magazine of Heavy Metal magazine. Appearing in her already at a time when her images literally transformed the fantasy illustration, pushing the genre, and Heavy Metal, into the mainstream of American popular culture. In his painting, science fiction and fantasy clash with pinup fashion, glamor and punk, and all the significant elements of the Blade Runner aesthetic that characterize his cover paintings. Royo is the artist that most adapts to the image of the magazine. Heavy Metal and influences the world of modern fantasy and pin-up art.

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LUZ TOKIO 3
Luis Royo
COLOR DRAWING
Graphite and oil on tracing paper
Painted surface 25 x 35 cm. ( 9.84 x 13.77 in) in a format of 34 x 48 cm. ( 13.38 x 18.89 in)
Published in the book Malefic Time, 110 Katanas, page 50. Edited in diferent languages.
Year of realization 2013
 
"Luz stops to watch the whole crowd before her and behind her back. There may be more than twenty warriors there".

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FOR WAMPS VI
Luis Royo & Romulo Royo
PAINTING
Acrylic and oil on paper.
Size of 45 x 62,5 cm ( in)
Custom Work made for Wamps-Music. Published in the book Dark Labyrinth, page 32.
Year of realization 2004
 
"A fluttering of a hedonistic fantasy overwhelmed him when he had reached the second to last painting. He felt his body temperature rise, which produced in him a sultry sweat" .

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THE MASTER
Luis Royo & Romulo Royo
PAINTING
Acrylic and oil on canvas.
Measure 54 x 61 cm (21.25 x 24.01 in)
Published in the book Malefic Time Apocalypse, page 87
Year of realization 2010
 
"He was coming back. He couldn't have left. He couldn't have left her behind and alone with her monsters, with her doubts. She would see him through that same window. He would return."

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 16.5 x 25 cm (6.49 x 9.84 in) in a format of 25.5 x 36 cm (10.03 x 14.17 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 59. Edited in diferent languages.

"Over time, drawings without pretense of being published appear more often".

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CONCEPTIONS II SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 12.5 x 21.5 cm (4.92 x 8.46 in) in a format of 18.5 x 25.5 cm (7.28 x 10,03 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 50. Edited in diferent languages.

"It is about separating the grain from the straw and finding the drawings, lost in the tangle of dubious lines".

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 15 x 20.5 cm (5.90 x 8.07 in) in a format of 18 x 25.3 cm (7.08 x 9.96 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 49. Edited in diferent languages.

"Another port that attracts the pencil is the serenity, rummage through the mystery reflect the moment before ..."

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CONCEPTIONS II SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17.5 x 25 cm (6.88 x 9.84 in) in a format of 25.5 x 35.5 cm (10.03 x 13.97 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 58. Edited in diferent languages.

"We could use the previous pages; The wind that brings enchanted stories"

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CONCEPTIONS II SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17 x 19 cm (6.69 x 7.48 in) in a format of 18.5 x 25.5 cm (7.28 x 10.03 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 21. Edited in diferent languages.

"These pages are intended to collect notes of distant adventures, to immerse themselves in times of magic and ancient warriors".

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CONCEPTIONS I SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 20.5 x 25 cm (8.07 x 9.84 in) in a format of 25.5 x 36.5 cm (10.03 x 14.37 in)
Year of realization 2002
Work published inside the author's book Conceptions I, page 49. Edited in diferent languages.

"Some drawings take shape indefinitely and the wrapping of their world is also veiled".

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 13.7 x 20.8 cm (5.39 x 8.18 in) in a format of 18.5 x 25 cm (7.28 x 9.84 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 22. Edited in diferent languages.


"These pages are intended to collect notes of distant adventures, to immerse themselves in times of magic and ancient warriors".

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CONCEPTIONS I SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 20.5 x 28.5 cm (8.07 x 11.22 in) in a format of 25.5 x 36 cm (10.03 x 14.17 in)
Year of realization 2002
Work published inside the author's book Conceptions I, page 69. Edited in diferent languages.

"Science fiction is another topic where getting the final result requires many stained and scrawled papers before".

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CONCEPTIONS I SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 22 x 29.5 cm (8.66 x 11.61 in) in a format of 25.5 x 36.2 cm (10.03 x 14.25 in)
Year of realization 2002
One of the studies made for the magazine Penhouse Comix (USA). Published inside the author's book Conceptions I, page 67. Edited in diferent languages.

"But not only the shooting moment is sought, that imaginary camera also uses its zoom to be able to stay with the essential".

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PROHIBITED SKETCHBOOK SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 9 x 29 cm (3.54 x 11.41 in) in a format of 16.5 x 39 cm (6.49 x 15.35 in)
Year of realization 2004
Work published inside the author's book Prohibited Sketchbook, page 41. Edited in diferent languages.


"And when this cluster of ideas comes together, they fit together like a puzzle, you raise your eyelids and you feel good between them".

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 20.3 x 27.2 cm (7.99 x 10.70 in)  in a format of 25.3 x 36.5 cm (9.96 x 14.37 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 63. Edited in diferent languages.

"Drawings made when a sweet and perverse liquid is spilled on the drawing table without any understandable explanation".

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CONCEPTIONS I SERIE
Luis Royo
SKETCH 3
Graphite on tracing paper.
Painted surface 21 x 27.3 cm (8.26 x 10.74 in) in a format of 25.5 x 36.5 cm (10.03 x 14.37 in)
Year of realization 2002
Drawing for the final illustration Playstation Magazine. Published inside the author's book Conceptions I, on page 62. Edited in diferent languages.

"The main element around which an illustration will turn is a good starting point. Everything begins to make sense from its appearance on paper."

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 18.3 x 25 cm (7.20 x 9.84 in) in a format of 25.5 x 36.5 cm (10.03 x 14.37 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 22. Edited in diferent languages.

"These pages are intended to collect notes of distant adventures, to immerse themselves in times of magic and ancient warriors".

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 26 x 31.5 cm (10.23 x 12.40 in) in a format of 31.5 x 36.5 cm (12.40 x 14.37 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 17. Edited in diferent languages.
"These pages are intended to collect notes of distant adventures, to immerse themselves in times of magic and ancient warriors".

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COLOR LINEA
Luis Royo
COMIC
Watercolor, acrylic with airbrush and oil on cardboard paper.
Painted surface 28.5 x 33.5 cm (11.22 x 13.18 in)  in a format of 34.5 x 49.5 cm. (13.58 x 19.48 in) 
Year of realization 1981
First page from the serie "Color Linea" published in the album Rambla 4 Collection and "Antología Luis Royo Comics 1981-1983" published by Norma Editorial.

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CONCEPTIONS I SERIE
Luis Royo
DRAWING
Graphite on tracing paper
Painted surface 17.5 x 25.5 cm (6.88 x 10.03 in) in a format of 23.5 x 36 cm (9.25 x 14.17 in)
Year of realization 2002
Work published inside the author's book Conceptions I, page 24. Edited in diferent languages.


"Pencils, lacking in nuances, have the virtue of being quick to crystallize. In them the sketcher is for the first time face to face with the idea, and can do and undo to approach it to that fantasy that until then only floated in the air"

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on paper.
Painted surface 16 x 25.5 cm (6.29 x 10.03 in) in a format of 23 x 32.5 cm (9.05 x 12.79 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 52. Edited in diferent languages.

 
"The fund as an element of claim. The figures remain at the intersection of the two eyes, the skylight of the ship and the viewer himself".

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SERIE RUBY
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 24 x 38 cm. (9.44 x 14.96 in)  in a format of 36 x 50 cm. (14.17 x 19.68 in)
Year of realization 1996 
Cover for the novel "Serie Ruby" from the writer V.C. Andrews.

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 12.5 x 35 cm (4.92 x 13.77 in) in a format of 20 x 51 cm (7.87 x 20.07 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 30. Edited in diferent languages.


"There are works that after the first pencils, they go to the definitive illustration and nevertheless, never come to be realized, for several reasons".

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 17.5 x 25 cm (6.88 x 9.84 in) in a format of 25.5 x 36 cm (10.03 x 14.17 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 61. Edited in diferent languages.

"Another port that attracts the pencil is the serenity, rummage through the mystery, reflect the moment before ..."

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CONCEPTIONS II SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 33.6 x 24 cm (13.22 x 9.44 in) in a format of 36.4 x 30 cm (14.33 x 11.81 in)
Year of realization 2003
One of the versions made for the videogame Tribes of Dynamix (USA). Published inside the author's book Conceptions II, page 70.71. Edited in diferent languages.


"The pencils reflect the tension of the battle and at the same time conform to the measures of the final reproduction".

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CONCEPTIONS II SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 16.5 x 16 cm (6.49 x 6.29 in) in a format of 21 x 21 cm (8.26 x 8.26 in)
Year of realization 2003
Work published inside the author's book Conceptions II, page 64. Edited in diferent languages.

"The movement allows playing with the perspectives and dedramatizing the image. That works with own characters and with others already created".

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WALTZING IN RAGTIME
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 29 x 47.5 cm. ( 11.41 x 18.70 in) in a format of 49 x 64.5 cm. (19.29 x 25.39 in)
Cover of the novel "Waltzing in Ragtime" from the writer Eileen Charbonneau, and published by the editorial Forge Fiction (USA). It was also published in the book of the book Dreams, page 40.
Year of realization 1996
 
"Struggling to build her career as a journalist for the Gold Coast Chronicle in turn-of-the-century San Francisco, Olana Whittaker, the daughter of a lumber baron, finds her life changed forever by ranger Matthew Hart, an ardent conservationist out to protect the land from people like her father"
- Eileen Charbonneau

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THE HALLOWED ISLE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17.7 x 24.4 cm. ( 6.96 x 9.60 in) in a format of 25 x 36 cm. ( 9.84 x 14.17 in)
Sketch for the cover of the we-- known game of "Tzar Excalibur and the Arthur King" and the novel "The Hallowed Isle" by the recognized writer Diana L. Paxson. Published in the book Evolution, page 50.
Year of realization 1999
 
"The powerful Rome subjugated the island of Great Britain only to leave it, leaving behind a bloody mosaic of tribes at war.The fragile peace imposed by the conquerors has been shattered, forcing Artoria Argantel, the Lady of the Lake and the Druid priestess, to invoke the Spirit of War and Justice to deliver a champion who will unite the broken land "
- Diana L. Paxson

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DEAD MOON EPILOGUE SERIE
Luis Royo
COLOR DRAWING
Graphite and oil on tracing paper.
Painted surface of 25 x 35 cm. ( 9.84 x 13.77 in) in a format of 35 x 45 cm. (13.77 x 17.71 in)
Published in the book Dead Moon Epilogue, page 13. Edited in diferent languages
Year of realization 2009
 
"The You always had contacts with shamans and mystics from faraway places, from the mountains of the Himalayas to the lands of the Rising Sun." Through these contacts, Prince Zhu summoned Yarai, a princess from the great and distant East Island. which increased the refinement of his courtiers"
- Luis Royo

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SAGA MARY BROWN
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 24 x 38 cm (9.44 x 14.96 in) in a format of 42 x 56 cm (16.53 x 22.04 in).
Cover of the novel "The Unexpected Dragon" from the writer Mary Brown and published by Science Fiction Book Club (USA). Also published in the book Evolution, page 48.
Year of realization 1999
 
"The legend of Arthur is brilliantly retold through the four "hallows," or sacred objects of Britain. This omnibus edition collects all four books in the series: The Book of the Sword, The Book of the Spear, The Book of the Cauldron, and The Book of the Stone."
-Diana L. Paxson

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DEAD MOON EPILOGUE SERIE
Luis Royo
COLOR DRAWING
Graphite and oil on tracing paper.
Painted surface 31,5 x 37 (12.40 x 14.56 in) cm in a format of 43,5 x 50 cm (17.12 x 19.68 in).
Published in the book Dead Moon Epilogue, page 34. Published in several languages.
Year of realization 2010
 
"You was observed by all as a fearsome place from which he had to keep a distance, or not stay in it too long."
- Luis Royo

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FANTASY POOL CLUES 7
Luis Royo
STUDY 7
Watercolor and acrylic with airbrush on paper.
Painted surface 10 x 39 cm (3.93 x 15.35 in) on a format 24.5 x 51 cm (9.64 x 20.07 in)
Sketch made for billiard sticks commissioned by Pool Dawg House (USA).
Year of realization 2001
 
"According to Cornelius Agrippa, stone is" the first matter of creation, the purest medicine for our restoration and conservation. "He affirms that the four simple elements, water, air, earth and fire, are followed by those that are composed of from them: stone, metal, plant and animal "
- Luis Royo

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CONCEPTIONS I SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 17.5 x 24.5 cm. (6.88 x 9.64 in) in a format of 26 x 36.5 cm. (10.23 x 14.37 in)
Previous sketch to the final illustration of the character "X-Men Codename Wolverine" for the house Byron Preiss Multimedia Co. Inc. (USA) and published in the book Conceptions I, page 74. 
Year of realization 1998
 
"The superheroes carry with them, as we have commented for other themes, a process of variations and deformations, although in this case the works are custom made and the known characters need a seat on the drawing board, and the hand becomes familiar with its special proportions before applying the color ".
- Luis Royo

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CONCEPTIONS I SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 25 x 35 cm. (9.84 x 13.77 in) in a format of 36.5 x 50.7 cm. (14.37 x 19.96 in)
Preliminary work on the final painting "Dolls" published inside the author's book III Millennium. This drawing is also published in the author's book Conceptions I, page 16.
Year of realization 1998
 
"A fantasy that can start from a hundred different places, in this case we could say that of past, legends, stories or myths, but even if it is more abstract or even corny, it is also more real to say that it was dropped among the particles of the sunbeams through the trees of the forest of dreams"
- Luis Royo

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CONCEPTIONS I SERIE
Luis Royo
SKETCH
Graphite on tracing paper.
Painted surface 22 x 23.5 cm. (8.66 x 9.25 in) in a format of 25.5 x 36 cm. (10.03 x 14.17 in).
One of the variants made to the definitive painting "Black Flights II" published in the book Dreams. This sketch was also published in the book Conceptions I, page 67. Edited in diferent languages.
Year of realization 1995
 
"But not only are you looking for the shooting moment, that imaginary camera, you also use your zoom to be able to keep the essentials".
- Luis Royo

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PLENILUNIO
Luis Royo
PAINTING
Acrylic and oil on paper.
Painted surface 42 x 33 cm. (16.53 x 12.99 in) in a format of 70 x 50 cm. (27,55 x 19.68 in)
Published in the book Malefic Time 110 Katanas, page 22.
Year of realization 2013.


"They follow her. They think she has not realized it but she knows she's being followed. They are like shadows. They follow her, she knows. Ignore whether they are creatures filtered through the cracks of the veil of reality or if they serve someone who already knows that he is here".



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FANTASY POOL CLUES 6
Luis Royo
STUDY 6
Watercolor and acrylic with airbrush on paper.
Painted surface 10 x 39 cm in a format of 24.5 x 51 cm
Study made for billiard sticks commissioned by the Pool Dawg house (USA).
Year of realization 2001
 
"The ancient serpent, hidden principle of this world and instrument of all good and all evil, the ancient serpent of legend tells that it is the soul of the earth and the living focus of hell"



2017-11-22: price changed from 850.00€ to 680€
2017-12-08: price changed from 680.00€ to 850€

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CONCEPTIONS II SERIE
Luis Royo
DRAWING
Graphite on tracing paper.
Painted surface 23.5 x 31.5 cm (9.25 x 12.40 in) in a format of 36.7 x 51.2 cm. (14.44 x 20.15 in)
Preliminary work on the final painting of the character "He-Man, Master of the Universe" for the editorial Image Comics (MV Creations). And published in the book Conceptions II, page 65.
Year of realization 2003
 
"The movement allows us to play with the perspectives and to de-dramatize the image, which serves with our own characters and with others already created"



2017-11-22: price changed from 4500.00€ to 3600€
2017-11-28: price changed from 3600.00€ to 4500€
2017-12-08: price changed from 4500.00€ to 750€

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LUZ - EL REGRESO 2
Luis Royo
COLOR DRAWING
Graphite and acrylic airbrush on tracing paper.
Painted surface 36.8 x 26.8 cm (14.48 x 10.55 in) in a format of 35 x 45 cm (13.77 x 17.71 in)
Drawing published in the book Akelarre, 3º book Malefic Time, page 98.
Year of realization 2016
 
"New York sunk in to a deep chaos. Its appearance was even more decadent after the passage of the legions of the sun. The streets were deserted completely. All the people lived now under the yoke of the new settlers and were crowded into basements."

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PARIS 2038
Luis Royo & Romulo Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 31 x 41 cm (12.20 x 16.14 in) in a format of 50 x 70 cm (19.68 x 27.55 in)
Published in the book Malefic Time: 110 Katanas, page 119
Year of realization 2013
 
"Wake up again in that sanctuary, to feel that wake up is much more cruel.All are, but no one notices my return to consciousness.Talk ..... they seem worried but I do not care anymore"

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THE CRYPT
Luis Royo & Romulo Royo
PAINTING
Ink, Acrylic and oil on paper
Painted surface 43.5 x 52 cm (17.12 x 20.47 in) in a format of 50 x 68 cm. (19.68 x 26.77 in)
Published in the book Malefic Time: Apocalypse, page 25.
Year of realization 2010
 
"The walls of the cathedral emit echoes of songs and prayers that do not stop, its surroundings are populated with improvised constructions with recycled materials, such as a refugee camp that covers the entire block"



2017-11-22: price changed from 2800.00€ to 2240€
2017-11-28: price changed from 2240.00€ to 2800€

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CAPTAIN POWER 1
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 58 x 42 cm. (22,83 x 16,53 in) in a format of 67 x 50 cm. (26,37 x 19,68 in)
Year of realization 1988
Cover of the videogame "Captain Power 1" published by MobyGames, based in a science fiction TV show. Published in the book Evolution, page 36.

 
"Captain Power and a small group of guerrillas called" The Soldiers of the Future "oppose the force of the machines that dominate the Earth"



2017-11-22: price changed from 7000.00€ to 5600€
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BREEDER
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 31.5 x 51 cm. in a format of 45.3 x 64.3 cm.
Year of realization 1986
Cover of the novel "Breeder" from the writer Jim Morris, edited by Tor Books (USA).

"He was a breeder but he didn't know it. He knew only that America was torn by civil disobedience and strife and that his job was to help settle things down."



2017-11-22: price changed from 2200.00€ to 1760€
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BRUCE LEE
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 51 x 35 cm (20.07 x 13.77 in) .in a format of 64 x 48 cm. (25.19 x 18.89 in) 
Year of realization 1991
Cover for "Bruce Lee" video tape published in Germany.




2017-11-22: price changed from 1500.00€ to 1200€
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SAND IN THE WIND
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on paper.
Painted surface 49.5 x 36 cm. (19.48 x 14.17 in)  in a format of 63.5 x 50 cm. (25 x 19.68 in) 
Year of realization 1990.
Cover for the novel "Sand in the Wind" from the writer Kathleen O' neal Gear, edited in USA by Mass Market Paperback. And published inside the author's book Dreams, page 27 (Fragment).

 
"Drawn by troubling dreams of a handsome Indian Warrior, Colleen Merrill had come westward with her brutal husband to homestead in the Montana wilderness--only to fall in love with Lieutenant Matthew Douglas, a dashing U.S. Cavalry officer".



2017-11-22: price changed from 2500.00€ to 2000€
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THE HORSECLANS V
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on cardboard.
Painted surface 26.5 x 45 cm (10.43 x 17.71 in) in a format of 36.5 x 51 cm. (14.37 x 20.07 in)
Year of realization 1984
Cover for the novel "The Savage Mountains (Horseclans #5)" from the writer Robert Adams. Published by the Macdonalds editorial (England).




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THE HORSECLANS VII
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on Cardboard paper.
Painted surface 29 x 48 cm (11.41 x 18.89 in) in a format of 36.5 x 51 cm. (14.37 x 20.07 in)
Year of realization 1984 
Cover for the novel "Horseclans Odyssey (Horseclans #7)" from the writer Robert Adams, published by the editorial Futura Publications (England).

 
"The true stories, the stories that trap us and excite us, always begin in the same way. Stories that mark our imagination, awaken our fears or determine our illusions always start with "EVERY TIME"".



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THE HORSECLANS X
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on cardboard paper.
Painted surface 29 x 48.5 cm (11.41 x 19.09 in)  in a format of 36.5 x 51 cm. (14.37 x 20.07 in) 
Year of realization 1984
Cover of the novel "Bili The Axe (Horseclans #10)" from the writer Robert Adams, published by the editorial Futura Publitacions (England)

 
"Words with magical powers that leave us open-mouthed and staring. They contain the key that silently opens the door of a different country".



2017-11-22: price changed from 1800.00€ to 1440€
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FOR WAMPS V
Luis Royo & Romulo Royo
PAINTING
Acrylic and oil on paper.
Size 57 x 76 cm (22.44 x 29.92 in).
Custom Work done for Wamps-Music. Published in the book Dark Labyrinth, page 33.
Year of realization 2004
 
"In the end, the shadows left a great burden within the young apprentice, and so he left the painter. He set up his own workshop and he began painting fantastic and wonderful scenes".



2017-11-22: price changed from 2500.00€ to 2000€
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STAR CRASH
Luis Royo
PAINTING
Watercolor, acrylic with airbrush and oil on Cardboard
Painted 29.5 x 44.5 cm. (11.61 x 17.51 in) in a format of 34.5 x 49 cm. (13.58 x 19.29 in)
Year of realization 1983
Cover of the video tape "Star Crash". Published by IN VIDEO (Germany)




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THE CARESS
Luis Royo
PAINTING
Acrylic using airbrush and oil on paper.
Painted surface 47 x 25 cm (18.50 x 9.84 in) a format of 70 x 50 cm (27.55 x 19.68 in)
Published in the book Malefic Time, Apocalypse, page 98.99.
Year of realization 2011
 
"She shuddered at the sight, but held firm. A pale blue light surrounded the figure that she recognized as her master. The sword has lifted off the ground with him and remained near his chest"



2017-11-22: price changed from 16000.00€ to 12800€
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LUZ, THE GREAT GOAT 2
Luis Royo
PAINTING
Acrylic with airbrush and oil on paper.
Painted surface 30 x 39 cm in a format of 49 x 70 cm
Published in the book Malefic Time Akelarre, page 49.
Year of realization 2014.
 
"There was a half-closed look, a close eye as the priestesses stripped it of their clothes and adorned it for the ceremony before hundreds of pupils".



2017-11-22: price changed from 14000.00€ to 11200€
2017-11-28: price changed from 11200.00€ to 14000€

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ALLEN
Luis Royo
DRAWING
Graphite and oil on handmade paper.
Painted surface 17 x 28 cm. ( 6,69 x 11,02 in) in a format of 28.5 x 38 cm. ( 11,22 x 14,96 in)
Published in the novel Codex Apocalypse, page 181. Edited in diferent languages.
Year of realization 2012
 
"I am a first class searcher. It is wrong that I say so, but among the seekers I am something like a legend. You can check. I know Japanese seekers. They know me as El Americano".

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LUNA'S SOLDIER 2
Luis Royo
COLOR DRAWING
Watercolor and oil on tracing paper.
Painted surface 25 x 35 cm. (9.84 x 13.77 in) in a format of 32 x 45 cm. (12.59 x 17.71 in)
Published in the book Malefic Time, 110 Katanas, page 26.
Year of realization 2013


"Soum insisted that I have to complete my training here, that it was necessary to go through these walls, that they were waiting for me. I do not know if anything of me expected a different reception. The attitude of these women does not invite me to think that my presence is altering the routine.".



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SOLARES O CELESTES
Luis Royo & Romulo Royo
COLOR DRAWING
Graphite, acrylic with airbrush and oil on tracing paper.
Painted surface  35 x 25 cm. ( 13,77 x 9,84 in) in a format of 45 x 35 cm. ( 17,71 x 13,77 in)
Published in the novel Codex Apocalypse, page 232. Edited in diferent languages.
Year of realization 2012
 
"On that roof, the swarm of lots soon takes advantage of the surprise effect. They come from all angles, in all directions. It is a flock attack".



2017-11-22: price changed from 450.00€ to 360€
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THE FOREST OF THE WAIT
Luis Royo
PAINTING
Acrylic and oil on paper.
Painted surface 42 x 23 cm.(16,53 x 9,05 in) in a format of 70 x 50 cm. (27,55 x 19,68 in)
Year of realization 2013
Work published in the second book of the trilogy Malefic Time, 110 Katanas, page 98-99.

"In the distance, between the trees, on the crowned tops. That strange boy in the cabin. He follows her or just watch her. She brings back the memory of that stolen kiss."
- Luis Royo



2017-11-22: price changed from 4500.00€ to 3600€
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