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JAGUAR GOD #2 Painting
Frank Frazetta; Oil Painting; 1995; 20" x 24" To own an oil painting by master Frank Frazetta is nearly every collector s dream. This is your chance. This piece has it all, the 3 Bs of Frazetta art: Babes, Brutes and a Barbarian  in our titular hero, The Jaguar God. Painted in 1995, Frazetta captures the visceral, pulse pounding elements evident in his greatest pieces. When Rodriguez finally make a Jaguar God movie the price on this painting will explode.

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ACTION COMICS-1938 #133 Interior Page
Pg 10; Tremendous Twice-Up page by Al Plastino from 1949. From the story "The World's Most Perfect Girl"

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FANTASTIC FOUR ANNUAL #15 Interior Page
Pg. 36; Tom Sutton pencils and inks; image size 10" x 15"

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FANTASTIC FOUR 1961-96 #209 Half Splash
Pg. 30; John Byrne pencils, Joe Sinnott ink; 11" x 17"

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DETECTIVE COMICS #707 Interior Page
Pg. 20; Graham Nolan pencils, David Roach inks, 10" x 16"

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DOCTOR WHO GRAPHIC NOVEL #13 Cover
David Roach Pencils and inks; image size 10" x 12" The Crimson Hand

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BEST OF 2000 AD MONTHLY #118 Interior Page
Pg. 48; David Roach pencils and inks; 11" x 14" Alan Grant story: Judge Anderson - Engram (2000AD prog 760 pg. 25)

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DOCTOR WHO MAGAZINE #512 Interior Page
Pg. 12; Martin Geraghty pencils, David Roach ink; image size 11" x 14"

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DARKSTARS #18 Interior Page
Pg. 18; Mike Collins pencils, David Roach inks; 10" x 16"

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BATMAN / DEMON #1 Interior Page
Pg. 41; David Roach pencils and inks; 10" x 16"

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SPECTACULAR SPIDER-MAN (UK 1995) #182 Interior Page
pg. 7; David Roach pencils and inks; 11" x 17"

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SPECTACULAR SPIDER-MAN (UK 1995) #182 Interior Page
Pg. 2; David Roach pencils and inks; 11" x 16"

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SPECTACULAR SPIDER-MAN (UK 1995) #180 Interior Page
Pg. 1; David Roach pencils and inks; 11" x 16"

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JUDGE DREDD MEGA-SPECIAL #3 Interior Page
Pg. 25; David Roach pencils and inks, colored and cello overlay; 12" x 16.5" Alan Grant sotry: Judge Dredd - Beyond the Alley of the Ultra-Vixens

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GREEN ARROW ANNUAL 1988-95 #6 Splash Page
Pg. 51; Mike Collins pencils, David Roach inks; image size 10" x 16"

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JUSTICE LEAGUE OF AMERICA Merchandising Art
David Roach pencils and inks; image size 10" x 16.5" Batman, Green Lantern, Flash, and Aquaman

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2000 A.D. #1715 Interior Page
Pg. 4; David Roach pencils and inks; image size 10" x 13" Michael Carrol story, Salvage

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BATMAN / DEMON #1 Interior Page
Pg. 36; David Roach pencils and inks; image size 10.5" x 16"

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2000 A.D. #647 Interior Page
Pg. 3; David Roach pencils and inks; image size 12" x 16" Alan Grant story: Judge Anderson - The Prophet (part 3 - final part)

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2000 A.D. #618 Interior Page
Pg. 2 David Roach penicls and inks; image size 12" x 16" Alan Grant story: Judge Anderson - Helios (part 5)

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2000 A.D. #1567 Interior Page
Pg. 1; David Roach pencils and inks; image size 11.5 " x 15" Alan Grant story: Judge Dredd - Magic Moments

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2000 A.D. #1715 Interior Page
Pg. 6; David Roach pencils and inks; image size Michael Carrol story, Salvage

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2000 A.D. #1407 Interior Page
Pg. 6; David Roach pencils, Dylan Teague inkls; image size 11" x 14" Alan Grant story: Judge Dredd - B*W*TCH*D

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2000 A.D. #559 Interior Page
Pg. 26; David Roach pencils and inks; image size 12" x 16" Pat Mills story: Nemesis the Warlock - book eight: Purity's Story (part 2)

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BATMAN #560 Interior Page
Pg. 4, Jim Aparo pencils, David Roach ink; 10" x 16"

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BATMAN / DEMON #1 Double Page Splash
Pg. 17 & 18; David Roach pencils and inks; image size 16" x 20.5" This double page spread is truly breathtaking in both size and incredible detail. I can't imagine how many man hours this piece took to complete. It is truly stunning.

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2000 A.D. #562 Interior Page
Pg. 29, David Roach pencils and inks; image size 12" x 16" Pat Mills story: Nemesis the Warlock - book eight: Purity's Story (part 5)

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2000 A.D. #714 Interior Page
Pg. 26; David Roach pencils and inks: image size 12.5" x 17"

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NEW BATMAN/SUPERMAN ADVENTURES ORIGINAL PRODUCTION Production Cel
In Brightest Day orginal production cel featuring Green Lantern and his iconic recharging battery lantern; w/original WB store COA, framed 17.5"x15.5"

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BATTLE OF THE PLANETS Production Cel
great production cel of Mark in full Commander costume, and Tiny in uniform (facing away); two-cel setup with original background, framed 13.5"x12"

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CAPTAIN AMERICA VS. IRON MAN BY FINCH Commissioned Art
11" x 17" explosive image with pencils by David Finch and inks by Danny Miki

2 Offers  Highest Offer $1,200


2017-12-27: price changed from $1200.00 to $1700

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SCHOOL DAYS IN DISNEYVILLE Story Book
First edition 1939 Mickey Mouse and Donald Duck

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JOURNEY INTO MYSTERY #105 Interior Page
Pg. 18; Jack Kirby pencils, Chic Stone inks; image size 16" x 22.75" We sold two early J.I.M pages by Kirby, in auction, collectivley for $56K, consider this a bargain!

3 Offers  Highest Offer $21,000

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MAN-THING GIANT-SIZE #4 Interior Page
Pg. 52; Frank Brunner pencils and inks, signed; image size 10" x 15" From the story Frog Death! Early Howard the Duck app.

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WOLVERINE-1988 #14 Interior Page
Pg. 15; John Buscema pencils, Bill Sienkiewicz inks; image size 10" x 15"

2 Offers  Highest Offer $400

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CAPTAIN MARVEL #29 Interior Page
Pg. 14; Jim Starlin pencils, Al Milgrom inks; image size 10" x 15" Thanos quarter splash!

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HOWARD THE DUCK #3 Interior Page
Pg. 17; John Buscema pencils, Steve Leialoha inks; image size 10" x 15"


2017-12-06: price changed from $2500.00 to $2750

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BIG TOWN #6 Interior Page
Pg. 9; twice up; Pencils by John Lehti & inks by Frank Giacoia. There are 17 drawings on the back of this page. Death of a Skyscraper

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JOHNNY COMET Strip Art
Stunning artwork from the master, Frank Frazetta; June 10 1952 daily. Measures 17" x 5" Features Johnny in the first two panels. Amazing brushwork with the use of Zipatone makes this masterpiece really pop. Frazetta signature in last panel.

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SHIELD-WIZARD COMICS #7 Interior Page
page 4. classic Shield vs Nazi battle page by Irv Novik

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STRANGE ADVENTURES #159 Cover
by Murphy Anderson & signed by him. Tremendous twice-up dinosaur vs. astronaut cover by the silver age master. from 1963

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DON MAITZ'S HE'LL HUFF AND HE WILL PUFF Painting
Unpublished; Don Maitz oils on panel; image size 17" x 23" framed When a dragon come knocking and the villagers must hide, or cook. Cover art to a game box design for a company that later fell into bankruptcy leaving reproductions of this unpublished art in temporary limbo. Don Maitz is a science fiction, fantasy and commercial artist, that has published advertisement works with Marvel and DC. Maitz has also produced over 200 paperback covers in the Sci-Fi/Fantasy market, game box art and card art.

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DON MAITZ'S URINE TROUBLE WITH THE KING Cover
Don Maitz acrylics on panel; image size 20" x 30" framed; cover to Dragons of Darkness An unknowingly cursed baby is born unto the queen, and at the presentation ceremony in the throne room, the cute newborn begins a transformation and springs into the air growing wings and scales at an alarming rate. Flapping above the creature spits a deadly lava like wad at the queen, killing her instantly then releases a gush of flaming urine over the king on his throne. The artist made a small figure out of cloth wrapped on a wire armature and sat it on a balsa wood throne, then with the aid of lighter fuel set it ablaze while taking photos of the ensuing flames. Cover to Dragons of Darkness , a short story collection. Don Maitz is a science fiction, fantasy and commercial artist, that has published advertisement works with Marvel and DC. Maitz has also produced over 200 paperback covers in the Sci-Fi/Fantasy market, game box art and card art.

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DON MAITZ'S KAI FENG Cover
Don Maitz oils on panel; 20" x 30"; Cover to novel by Eric Von Lusbader titled, Dai San The hero has transformed into the mythical warrior, the Dai San, and here he looks over the final battlefield of the, Kai Feng, the war to end all wars. Cover to the third novel in the Sunset Warrior series by Eric Von Lustbader titled, Dai San. Eric Lustbader received attention with his Ninja book and has taken over writing Jason Bourne novels by the late Robert Ludlum. Don Maitz is a science fiction, fantasy and commercial artist, that has published advertisement works with Marvel and DC. Maitz has also produced over 200 paperback covers in the Sci-Fi/Fantasy market, game box art and card art.

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DON MAITZ'S GHOST SLAYER Cover
Don Maitz oils on panel; 20" x 30"; cover to DAW book, Kill the Dead by Tanith Lee An adept who travels the countryside releasing ghosts who haunt the world because they are locked into physical objects, is beset and distracted from his mission. Cover art to the DAW book, Kill the Dead by Tanith Lee. Don Maitz is a science fiction, fantasy and commercial artist, that has published advertisement works with Marvel and DC. Maitz has also produced over 200 paperback covers in the Sci-Fi/Fantasy market, game box art and card art.

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DETECTIVE COMICS #195 Recreation Art
14"x19" 1991 Win Mortimer (the original artist) cover recreation. includes vintage appearing hand-drawn paste-ups. Very Cool

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DON MAITZ'S AFTER THE BEAST Cover
Don Maitz oils on panel; 20" x 30"; cover to novel by Eric Von Lustbader titled, Shallows of Night The hero has discovered the body of his paramour ripped apart in her apartments by some terrible beast and discovers the location of the creatures s escape route. Cover to a novel in the Sunset Warrior series by Eric Von Lustbader titled, Shallows of Night. Don Maitz is a science fiction, fantasy and commercial artist, that has published advertisement works with Marvel and DC. Maitz has also produced over 200 paperback covers in the Sci-Fi/Fantasy market, game box art and card art.

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DON MAITZ'S BARELY CIVILIZED Painting
Don Maitz acrylics on panel; 18" x 31" framed; Advertisement for Rumpleminze Schnaapps After creating the Captain Morgan Spiced Rum character for numerous national advertising campaigns, advertisers for Rumpleminze Schnaapps hired me to produce an advertisement that featured their blonde beauty logo character with a black bear instead of the signature polar bear in previous ads. Don Maitz is a science fiction, fantasy and commercial artist, that has published advertisement works with Marvel and DC. Maitz has also produced over 200 paperback covers in the Sci-Fi/Fantasy market, game box art and card art.

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NEW TITANS #76 Cover
Tom Grummett pencils, Al Vey inks, signed; 10" x 15"

1 Offer  Highest Offer $1,350

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GREG HILDEBRANDT'S PRINCESS LEIA Pin Up
Greg Hildebrandt mixed media on black board; August 2017; size 30" x 20" framed 33" x 23" The beautiful princess in a Galaxy far far away is here The beautiful princess in a Galaxy far far away is here! When Greg does a black board piece, he pays attention to value and lighting. He renders Leia's figure softly and gradually to bring her to life. In contrast he renders her metal costume with sharp edges and bold highlights. Subtleties like the wispy renderings in Leia's braided hair show how much Greg truly cares about the process, the drawing itself, and the fans. He puts every bit of detail and every bit of texture into each black board. Greg also sets the scene with details like the platform Leia is on, Jabba's tail snaking around her, and the one eyed platform designs. Every pencil line and every dab of paint make this piece even more intriguing. To go a step further, Greg adds that pop of red to Leia's li p color, drawing even more attention to the Galactic beauty! Greg draws Leia as the strong and sexy princess she is known to be! However, this princess is no ordinary princess. She is the daughter of the feared Darth Vader and the twin of the now mysterious myth Luke Skywalker. At the time they were separated at birth and didn't not know that they were related. Talk about family drama! Princess Leia made her first appearance in the first Star Wars movie and continued her journey through out The Empire Strikes back and Return of the Jedi. For the newer and growing fans of Star wars she makes a reappearance in the Star Wars Film: The Force Awakens. Greg enjoys drawing beautiful women and whenever he has the chance to draw one he does so with excellent detail and care. Signed by Greg Hildebrandt Mixed media on black board Created August 2017 SIZE- 30" x 20" FRAMED- 33" x 23"

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WALKING DEAD PRODUCTION ART JOHN WATKISS: MICHONNE #7 Preliminary Sketch
John Watkiss pencils, inks and charcoal on grey board; image size 8.25" x 11.5"; framed 13" x 16" While the now iconic television series has enthralled millions, its origins began in illustration. While comic books can be quite cinematic in structure, adapting them to the screen still proves problematic for many films and tv series. For instance, certain elements that worked great for the comic, might read differently to a television audience. This collection of production art is a rare opportunity to own official Walking Dead artwork from the talented John Watkiss, featuring alternative concepts of previously known characters and scenes from the comics and new ones made only for the TV show. John Watkiss (1961-2017) was a British artist, known for his painting and his work in comics and film production. His career led him from cover artist for graphic novels to storyboard artist and character designer. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.

1 Offer  Highest Offer $125

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WALKING DEAD PRODUCTION ART JOHN WATKISS: ZOMBIES #14 Preliminary Sketch
John Watkiss pencils, inks and charcoal; image size 8.25" x 11.5"; framed 13" x 16" While the now iconic television series has enthralled millions, its origins began in illustration. While comic books can be quite cinematic in structure, adapting them to the screen still proves problematic for many films and tv series. For instance, certain elements that worked great for the comic, might read differently to a television audience. This collection of production art is a rare opportunity to own official Walking Dead artwork from the talented John Watkiss, featuring alternative concepts of previously known characters and scenes from the comics and new ones made only for the TV show. John Watkiss (1961-2017) was a British artist, known for his painting and his work in comics and film production. His career led him from cover artist for graphic novels to storyboard artist and character designer. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.

1 Offer  Highest Offer $185

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WALKING DEAD PRODUCTION ART JOHN WATKISS: RICK #4 Preliminary Sketch
John Watkiss pencils, inks and charcoal; image size 8.25" x 11.5"; framed 13" x 16" While the now iconic television series has enthralled millions, its origins began in illustration. While comic books can be quite cinematic in structure, adapting them to the screen still proves problematic for many films and tv series. For instance, certain elements that worked great for the comic, might read differently to a television audience. This collection of production art is a rare opportunity to own official Walking Dead artwork from the talented John Watkiss, featuring alternative concepts of previously known characters and scenes from the comics and new ones made only for the TV show. John Watkiss (1961-2017) was a British artist, known for his painting and his work in comics and film production. His career led him from cover artist for graphic novels to storyboard artist and character designer. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.

2 Offers  Highest Offer $175

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WALKING DEAD PRODUCTION ART JOHN WATKISS: MICHONNE #9 Preliminary Sketch
John Watkiss pencils, inks and charcoal on grey board; image size 8.25" x 11.5"; framed 13" x 16" While the now iconic television series has enthralled millions, its origins began in illustration. While comic books can be quite cinematic in structure, adapting them to the screen still proves problematic for many films and tv series. For instance, certain elements that worked great for the comic, might read differently to a television audience. This collection of production art is a rare opportunity to own official Walking Dead artwork from the talented John Watkiss, featuring alternative concepts of previously known characters and scenes from the comics and new ones made only for the TV show. John Watkiss (1961-2017) was a British artist, known for his painting and his work in comics and film production. His career led him from cover artist for graphic novels to storyboard artist and character designer. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.

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WALKING DEAD PRODUCTION ART JOHN WATKISS: ZOMBIES #12 Preliminary Sketch
John Watkiss pencils, inks and charcoal on red board; image size 8.25" x 11.5"; framed 13" x 16" While the now iconic television series has enthralled millions, its origins began in illustration. While comic books can be quite cinematic in structure, adapting them to the screen still proves problematic for many films and tv series. For instance, certain elements that worked great for the comic, might read differently to a television audience. This collection of production art is a rare opportunity to own official Walking Dead artwork from the talented John Watkiss, featuring alternative concepts of previously known characters and scenes from the comics and new ones made only for the TV show. John Watkiss (1961-2017) was a British artist, known for his painting and his work in comics and film production. His career led him from cover artist for graphic novels to storyboard artist and character designer. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.

2 Offers  Highest Offer $251

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WALKING DEAD PRODUCTION ART JOHN WATKISS: RICK #6 Preliminary Sketch
John Watkiss pencils, inks and charcoal; image size 8.25" x 11.5"; framed 13" x 16" While the now iconic television series has enthralled millions, its origins began in illustration. While comic books can be quite cinematic in structure, adapting them to the screen still proves problematic for many films and tv series. For instance, certain elements that worked great for the comic, might read differently to a television audience. This collection of production art is a rare opportunity to own official Walking Dead artwork from the talented John Watkiss, featuring alternative concepts of previously known characters and scenes from the comics and new ones made only for the TV show. John Watkiss (1961-2017) was a British artist, known for his painting and his work in comics and film production. His career led him from cover artist for graphic novels to storyboard artist and character designer. The artist has collaborated with numerous high profile studios on projects including Tarzan, Atlantis, Sky Captain and the World of Tomorrow, and Sherlock Holmes. Watkiss' work has been featured in the British National Portrait Gallery and The Ford Motor Company Museum.

2 Offers  Highest Offer $250

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SPOOF COMICS PRESENTS #6 Cover
"X-Babes" Adam Hughes fully painted; image size 9.75" x 15"

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SPOOF COMICS PRESENTS #2 Cover
"BatBabe" Adam Hughes inked w/overlay; image size 10" x 15"

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GREG HILDEBRANDT SUPERMAN: THE LAST GOD OF KRYPTON Interior Page
Pg. 27; Greg Hildebrandt pencils; 11" x 17" Superman comes face to face with Lex Luthor in an unlikely alliance. Both men must acknowledge the strength of Cythonna, who is not just Kryptonian, but an incredibly powerful ice elemental. She holds the world in an icy grip, creating unnatural wintery conditions in the city of Metropolis. Declaring his intention to be the only one who can beat Superman, Luthor gives Superman a Kryptonite weapon to use in the fight against Cythonna. Signed by Greg Hildebrandt. This page is the pencils for page 27 in Superman: Last God of Krypton, a fully painted graphic novel. Every single page was a painted acrylic illustration worked on by the world renowned, Brothers Hildebrandt (Lord of the Rings, Star Wars, Marvel Masterpieces, Urshurak). It is the only comic they have ever worked on in this way, and it is one of the only projects they have done for DC that involved an entirely painted comic book. This project was a huge undertaking, but one of great pleasure for the Brothers. Superman: Last God of Krypton was written by the award winning comic book artist, Walt Simonson, who is best known for his iconic work on Thor, and the creation of the iconic character, Beta Ray Bill.

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GREG HILDEBRANDT SUPERMAN: THE LAST GOD OF KRYPTON Interior Page
Pg. 24; Greg Hildebrandt pencils; 11" x 17" With the threat of Cythonna ever present on Earth, Lex Luthor contacts Superman at the Fortress of Solitude to discuss a possible tactic for battling the ice goddess who has invaded our world. Neither of them know much about her at this point, and it is clear that she is a dangerous enemy, even for Superman. The last panel of this page, shows Superman telling Lois he has a gift for her. It is an unusual present, but one of great value a Kryptonian Battle Suit! Signed by Greg Hildebrandt. This page is the pencils for page 24 in Superman: Last God of Krypton, a fully painted graphic novel. Every single page was a painted acrylic illustration worked on by the world renowned, Brothers Hildebrandt (Lord of the Rings, Star Wars, Marvel Masterpieces, Urshurak). It is the only comic they have ever worked on in this way, and it is one of the only projects they have done for DC that involved an entirely painted comic book. This project was a huge undertaking, but one of great pleasure for the Brothers. Superman: Last God of Krypton was written by the award winning comic book artist, Walt Simonson, who is best known for his iconic work on Thor, and the creation of the iconic character, Beta Ray Bill.

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GREG HILDEBRANDT SUPERMAN: THE LAST GOD OF KRYPTON Double Page Spread
Pgs. 46-47; Greg Hildebrandt pencils; 17" x 22" In a last ditch effort in the fight against Superman, Cythonna, the ice goddess of Krypton, has fled to space. With the help of Lois in a Kryptonian battle suit, they are able to trap Cythonna in the sun. However, Superman is still not fully recovered from previous battles with Cythonna, and he must be saved by Lois, who gives him precious oxygen while he is still in space. Victorious at last, the two are free to return to Earth. Signed by Greg Hildebrandt. This double page spread is the pencils for pages 46-47 in Superman: Last God of Krypton, a fully painted graphic novel. Every single page was a painted acrylic illustration worked on by the world renowned, Brothers Hildebrandt (Lord of the Rings, Star Wars, Marvel Masterpieces, Urshurak). It is the only comic they have ever worked on in this way, and it is one of the only projects they have done for DC that involved an entirely painted comic book. This project was a huge undertaking, but one of great pleasure for the Brothers. Superman: Last God of Krypton was written by the award winning comic book artist, Walt Simonson, who is best known for his iconic work on Thor, and the creation of the iconic character, Beta Ray Bill.

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DANI SERRA'S HELLBOY Painting
Dani Serra mixed media on watercolor paper; 12" x 18" Dark Horse's beloved Hellboy is depicted here in a serious and moody pose. Hellboy emerges from a wooded area, possibly from a realm unknown to the common man. His figure is partially obscured by the objects around him. His body and his energy appear to move in and out of definition, at times becoming the part of the mysterious environment he is in. It is through Dani Serra's depiction that we can feel how truly otherworldly Hellboy really is. Dani Serra's artwork is dark, haunting, and wild. His technique will flow from loose washes to tightly controlled brush strokes that keep your eye moving throughout the piece, finding something new every time you look. Serra's unique style has been well received, and his work has been published in Europe, Australia, United States, and Japan! As a comic artist, Mr. Serra's clients include DC comics, Image Comics, BOOM! Studios, and the opportunity to work with authors such as Jeff Mariotte and Joe Lansdale. He has also created pieces for the Hellraiser comic under the supervision of Clive Barker.

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GREG HILDEBRANDT HAWKMAN Sketch
Greg Hildebrandt graphite on paper; 30" x 36" On September 16th, 2007 the Montclair Art Museum opened its new show on the The Evolution of Comic Book Superheroes. Greg Hildebrandt was honored to have been chosen to paint two 12 FOOT murals for the show. The first contained Seven of DC Comics' classic characters. The second 12 Foot painting contained Seven of Marvel Comics' classic characters. When Greg designs his layout for a painting he does many initial layout sketches and then his final. This is one of Greg's FINAL FULL SIZE pencil character layouts for his DC Mural. Greg transfers from his final sketch to his canvas or board. The two paintings Greg created for the Museum are the largest Hildebrandt paintings ever done. Greg had a great time with this commission. Created by Greg Hildebrandt in August 2007 Signed by Greg Hildebrandt

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BATMAN / ALIENS (1997) #2 Interior Page
Pg. 35, Bernie Wrightson pencils only, signed; 15.5"x 22" Extraordinary example of horror comic master, Bernie Wrightson, interpreting H.R. Giger's Xenomorphs in battle with the brooding caped crusader, Batman. A nice piece for any fan of the Batman or Alien franchises, or collectors of pop cultural mash-ups.

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CREATURE FROM PELLUCIDAR Illustration
Frank Frazetta pen, ink, and signed; 1964 Unpublished illustration for a Canaveral plate.

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AMAZING SPIDERMAN #6 Interior Page
Pg. 2; Steve Ditko pencils and inks, slight restoration; 13" x 19" 1st. panel appearance of The Lizard

1 Offer  Highest Offer $25,000

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STAR SPANGLED COMICS #86 Splash Page
Pg. 1; Tremendous splash page by Fred Ray from 1948. From the story "The Black Bandit of Versailles"

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ACTION COMICS-1938 #133 Interior Page
Page 5. Tremendous Twice-Up page by Al Plastino from 1949. From the story "The World's Most Perfect Girl"

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ACTION COMICS-1938 #133 Interior Page
Pg. 4; Tremendous Twice-Up page by Al Plastino from 1949. From the story "The World's Most Perfect Girl"

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FLASH COMICS 1940-49 #97 Interior Page
classic Kubert Hawman page. Intended for #97 but is unpublished. Has a razor cut within top 2 panels. signed by Kubert

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ACTION COMICS-1938 #133 Interior Page
Pg. 6; Tremendous Twice-Up page by Al Plastino from 1949. From the story "The World's Most Perfect Girl"

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SECRET SIX (2015) #1 Interior Page
Pg. 10; Ken Lashley pencils and inks; 11" x 17"; Catman

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KEN LASHLEY ORIGINAL ART Sketch
Black Wonder Woman; Ken Lashley mixed media; 9" x 12"

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LEGENDS OF THE DC UNIVERSE #13 Interior Page
Pg. 25; Ken Lashley pencils and inks; 11" x 17"

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X-MEN-1963 #36 Interior Page
Pg. 5; Ross Andru, pencils Geoerge Roussos, inks; 13.5" x 20"

7 Offers  Highest Offer $600

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RED SONJA, VACANT SHELL Cover
Mike Kaluta, pencils, inks, and light wash, signed; 14" x 17"

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SUPER-VILLAIN TEAM-UP #7 Interior Page
Pg. 17; Herb Trimpe pencils, Pablo Marcos inks; 10.5" x 15. 75"

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TALES TO ASTONISH #94 Interior Page
Twice-Up Pg. 11; Bill Everett pencils and inks; image size 12" x 18"

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TALES OF THE UNEXPECTED (2006) #5 Half Splash
Pg. 22; Eric Battle pencils, Prentis Rollins inks; 11" x 17"

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TARZAN AT THE EARTH'S CORE, ALTERNATE PLATE Other Comic Art
Frank Frazetta pencils, inks and signed; 11" x 17" This is an alternate plate published in Tarzan At Earths Core, this version was published in Witzend and various other fanzines through out the years.

1 Offer  Highest Offer $20,000

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WOLVERINE ART Commissioned Art
Joe Sinnott layouts, Neil Vokes finishes and inks; (2015); 10.25" x 16.25"; w/COA

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UNTOLD TALES OF SPIDER-MAN #21 Interior Page
Pg. 10; Pat Olliffe pencils and inks; 11" x 17"

2 Offers  Highest Offer $190

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TALES OF THE UNEXPECTED (2006) #4 Interior Page
Pg. 3, pencils by Eric Battle, inks by Prentis Rollins, signed; 11" x 17"

1 Offer  Highest Offer $110

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TALES TO ASTONISH #100 Interior Page
Pg. 20; Marie Severin pencils, Dan Adkins & Roger Brand inks

1 Offer  Highest Offer $2,600

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SUPERMAN: DOOMED #1 Double Page Spread
Pg. 29-30; Ken Lashley pencils and inks; 17" x 21"; Doomsday vs Superman

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TALES OF THE UNEXPECTED (2006) #3 Half Splash
Pg. 20; Eric Battle pencils, Prentis Rollins inks; 11" x 17"

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SUPERMAN: DOOMED #1 Interior Page
Pg. 22; Ken Lashley pencils and inks; 11" x 17"; Wonder Woman and Superman Doomsday

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SUPERMAN: DOOMED #1 Interior Page
Pg. 21; Ken Lashley pencils and inks; 11" x 17"; Wonder Woman and Superman Doomsday

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SUPERMAN: THE MAIN MAN LIMITED EDITION CEL Limited Cel
180/500 w/COA, framed 24.5" x 20" 1997 Warner Bros Gallery exclusive limited edition hand-painted cel

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SWING WITH SCOOTER #32 Interior Page
pg. 7; pencils: Stan Goldberg, inks: Henry Scarpelli; 11" x 17"

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TALES OF SUSPENSE #94 Interior Page
Pg. 29, Jack Kirby pencils, Joe Sinnott inks; 14" x 21"

4 Offers  Highest Offer $11,500

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SECRET SIX (2015) Character Design
Concept Art; Ken Lashley pencils, inks and signed; 11" x 17"

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SECRET SIX (2015) #1 Interior Page
Pg. 3; Ken Lashley pencils and inks; 11" x 17"; Catman

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SECRET SIX (2015) #4 Interior Page
Pg. 6; Ken Lashley pencils and inks; 11" x 17"

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SCOTT AND BORGMAN'S ZITS #20010909 Strip Art
Jerry Scott and Jim Borgman pencils, inks and signed; 9/9/2001; 9.5" x 22"; No credit cards accepted for this item This art was also used for the cover of Busted: Zits Sketchbook No. 6

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RAVAGERS, THE Cover
Cover Roughs - Union and Ravagers; Ken Lashley pencils and inks; 11" x 14"

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RAVAGERS, THE #11 Cover
Fold out Cover; Ken Lashley pencils and inks; 17" x 21"; comes with original comic

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ROBIN #152 Cover
Patrick Gleason pencils, Prentis Rollins inks; 11" x 17"

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SATELLITE SCIENCE FICTION #1957 Painting
ALEX SCHOMBURG. Cover to February 1957 issue. Mixed media on board. 19" x 15" in 26.5" x 30.5" frame. Could be construed by some as a Xela headlight cover.

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SCARLET SPIDER (2011) #17 Cover
Art by Ryan Stegman

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