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DRACULA MYSTERY GAME Merchandising Art
awesome production art for classic Hasbro Dracula board game, with iconic Lugosi image; acrylic and pencil on art board 22"x12.5", framed along with original game box in 28.5"x32" frame; artist unknown

2 Offers  Highest Offer $7,500

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FANTASTIC ADVENTURES: PROMETHEUS; FRANK R. PAUL Cover
Frank R. Paul, mixed media on board, signed lower left; beautifully framed 18" x 13.5"; 1942

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WEIRD WESTERN TALES #17 Cover
By Tony DeZuniga and signed by him. minor white out classic Jonah Hex hanging cover from 1973

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S BIANCHI MARVEL MASTERPIECES PUNISHER Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 13" x 18.25"

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S BIANCHI MARVEL MASTERPIECES SABRETOOTH Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 13" x 18.25"

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S BIANCHI MARVEL MASTERPIECES SHE HULK Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10.25" x 13.75"

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S BIANCHI MARVEL MASTERPIECES PSYLOCKE Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES SANDMAN Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES MODOK Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10.25" x 13.5"

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S BIANCHI MARVEL MASTERPIECES LUKE CAGE Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 10" x 13.75"

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S BIANCHI MARVEL MASTERPIECES MAGNETO Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 13" x 18.25"

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S BIANCHI MARVEL MASTERPIECES SPIDERMAN/DOC OCT Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 17.75" x 23.75"

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S BIANCHI MARVEL MASTERPIECES MORBIUS Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10" x 13.25"

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S BIANCHI MARVEL MASTERPIECES TASKMASTER Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10.25" x 13.75"

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S BIANCHI MARVEL MASTERPIECES VALKIRIE Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 10" x 13.75"

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S BIANCHI MARVEL MASTERPIECES VISION Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.5" x 18.25"

1 Offer 

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S BIANCHI MARVEL MASTERPIECES X-23 Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 17.75" x 23.75"

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S BIANCHI MARVEL MASTERPIECES ULTRON Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10.25" x 13.75"

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S BIANCHI MARVEL MASTERPIECES THOR Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.5" x 18.25"

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S BIANCHI MARVEL MASTERPIECES KRAVEN Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES THANOS Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES THANOS/STARLORD/NOVA Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES SPIDERMAN/VENOM Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 13" x 18.75"; comes with a overlay of Spiderqueen Bianchi choose to paint Spider-Man, but Spiderqueen is the published piece(shown on second image)

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S BIANCHI MARVEL MASTERPIECES LIZARD Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

1 Offer  Highest Offer $1,500

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S BIANCHI MARVEL MASTERPIECES CYCLOPS/WOLVERINE Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 17.75" x 23.75"

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S BIANCHI MARVEL MASTERPIECES DEADPOOL Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES DEATHLOK Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES DRAX Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10.125" x 13.5"

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S BIANCHI MARVEL MASTERPIECES COLOSSUS Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES CAPTAIN MARVEL Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 9.5" x 13.5"

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S BIANCHI MARVEL MASTERPIECES BEAST Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES BLACK PANTHER Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES BLACK WIDOW Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES GAMORA Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES DOC OCTOPUS Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES HULK/DR STRANGE Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES GHOST RIDER Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES IRON FIST/DAREDEVIL Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES KANG Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES HULK Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES HYPERION/NAMOR Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES HERCULES Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2017; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES HAWKEYE Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 12.75" x 18.25"

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S BIANCHI MARVEL MASTERPIECES HELLCAT Trading Card Art
Simone Bianchi pencils, acrylics, inks and signed; 2018; on illustration board 10.375" x 13.875"

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AMAZING SPIDERMAN #314 Splash Page
Pg. 1; Todd McFarlane pencils and inks; image size 14" x 8" It's a wonderful life, Spidey. McFarlane's title splash shows his revolution style that changed the industry. Splash features, Aunt May, Peter Parker, and Mary Jane.

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THOR #318 Interior Page
Pg. 16; Gil Kane pencils and inks, assists Pablo Marcos; image size 10" x 15" The dastardly and conniving Loki fools the Mighty Thor once again by turning the famous stone head of Easter Island into foes for him to battle. Gil Kane naturally puts us right in the middle of the action with panels featuring the quailing siblings of Asgard. It least this time it wasn t snakes, you know how Thor loves snakes &

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UNCANNY X-FORCE #19 Cover
Rafael Grampa penicls and inks, signed; image size 13.5" x 11" Wolverine, Deadpool, Psyclocke, Captain Britain, and Nightcrawler fill out this incredible cover

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VENOM ANNUAL Other Comic Art
Unpublished cover; Kyle Holtz pencils and inks; image size 10" X 15" Aping the movie poster from the 1977 King Kong, Kyle Holtz produced a cover that most definitely should have been used in this classic series from the 1990s. Art created circa. 1996

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X-MEN-1963 #2 Interior Page
Pg. 3; Jack Kirby, pencils, Paul Reinman, inks; 12.5" x 18.5" Classic X-Men interior featuring action packed panels of Marver Girl, Iceman, Angel, and Cyclops!

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CRYPT OF SHADOWS #6 Cover
Pencils Gil Kane, Inks Ernie Chan; 10" x 15"

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CABLE #73 Double Page Splash
Rob Liefeld Pencils, Larry Stucker inks; 15.25" x 21"

1 Offer  Highest Offer $450

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FANTASTIC FOUR ANNUAL #2 Interior Page
Pg. 9; Jack Kirby pencils, Chic Stone inks; 12.5" x 18.5" Marvel gained its reputation by creating recognizable, human heroes with quirks and neuroses, and the impressive feat achieved by Lee and Kirby in FF was the creation of a real family, four deeply bonded individuals who love and annoy one another in equal measure. The Fantastic Four stood out from the pack immediately upon its debut because of the strong characterization. Some of Kirby's best and most-heartfelt work was done on this book, as is evidenced by this remarkable page, which leans heavily on body language and facial expression to give our heroes depth and distinctiveness. Where other artists may have relied on flashy angles, exaggerated action, and false drama to develop this story, Kirby gives his cast a chance to breathe and even manages to get some expressiveness into a giant dude made of rock. It's these quieter moments that are toughest to achieve, and Kirby absolutely nails it. Early Silver Age Marvel art is far and away the most requested by collectors, and this stunning masterpiece of comic storytelling boasts all four members of the classic FF lineup. There is always a huge amount of interest whenever a classic Kirby page goes up for auction, and we expect this piece to generate a decent amount of heat come hammer time. If you are a new customer planning to make a first-time purchase over $25,000, please contact us 24 hours in advance of the item closing at 212.895.3999 or support@comicconnect.com so that we may approve your account for bidding. (This policy was instituted to protect consignors and bidders against bids from fraudulent accounts, and to ensure the integrity of the bidding process.) Once approved, please log out of your account and then log in, for the approval to take effect. We realize many of you would like to bid on this auction lot, so for this listing, ComicConnect.com offers a 6 month, interest free, time payment plan with a 20% non-refundable deposit. Time Payments invoices can only be paid by cash, check, money order or wire transfer. LEARN MORE

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PRINCE VALIANT Sunday Strip
Harold R. Foster pencils, inks and signed; 9/21/1969; image size 22.5" x 34" Hal Foster was one of the first adventure strip artists in the young medium, working on Tarzan beginning in 1928, his distinctive style and attention to detail made him a very sought-after artist, and, after striking a lucrative deal with newpaper publisher William Randolph Hearst, he launched Prince Valiant, which would go on to become his life's work. This brilliantly illustrated entry into the long-running series comes from one of the last years of Foster's tenure on the strip, and all of his defining hallmarks are on full display, lush graphics, descriptive text, and beautiful layouts. This is simply an undeniably wonderful piece from the lasting legacy of Hal Foster and his life-long love for the comic art form.Art is folded into three horizontal panel sections.

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MARK ROMANOSKI WWF 19 Commissioned Art
Sketch: Mark Romanoski pencils on paper; 6" x 11"; done for the World Wrestling Federation This piece was originally commissioned by the World Wrestling Federation in 2000 for a possible T-shirt design for Stone Cold Steve Austin's return to the World Wrestling Federation. Whether you are a fan of wrestling, or a fan of beautifully rendered art, this drawing strikes the viewer like the arrow in the skull! It is confrontational, powerful, and perfect for a collector of skulls, wild art and wrestling! In September of 2000, while sustaining a long feud with Vince McMahon and Triple H, Stone Cold Steve Austin made his triumphant return to the ring after being run down by a mysterious limo driver. In an effort to welcome him back properly, a line of t-shirts was created emblazoned with Stone Cold imagery. This piece captured the essence that is The Texas Rattlesnake! Signed by Mark Romanoski.

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KEITH GARLETTS ZOMBIE AT THE GATE Painting
Keith Garletts acrylic on board; 11.5" x 13" This piece was commissioned by wizards of the coast. Keith Garletts submitted the final painting but the card was never published. The fear is real as you gaze into the one good eye left in this zombie's head, as he tries to break through to destroy you and yours! Keith has used an overhead central light in this painting which draws your eyes to the zombie's claws. Then into the center of the zombie's dark eyes which draws you into his dark soul. Even though this painting was not published, it is a wonderful representation on a MTG character Signed by Keith Garletts.

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NELSON DECASTRO INVISIBLE WOMAN Painting
Nelson DeCastro acrylic on board; 10" x 15"; #49/150 1995 Marvel Masterpieces trading card set Long the least visible member of the Fantastic Four in more ways than one, the once-passive Sue Richards has matured into a formidable and commanding heroine over the years but it is still her warmly maternal presence that binds the team together. This painting is the basis for the 1995 Marvel Masterpieces trading card set, card numbered 49 of 150. It is the perfect expression of the beauty and strength that the matriarch of Marvel's First Family possesses. Signed by Nelson DeCastro.

1 Offer  Highest Offer $450

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BROTHERS HILDEBRANDT XENYA #1 Interior Page
Pg. 26; Greg and Tim Hildebrandt pencils on bristol paper; 11" x 17" Greg and Tim Hildebrandt beautifully rendered and brought this Xenya page to life. Greg and Tim not only rendered the figures with care, but they rendered every scene and background with precision and detail. Each and every pencil mark on the page indicates a texture, a form, and a light source. They use broken lines to indicate distance and to give the illusion of depth. The Brothers Hildebrandt bring fantasy to reality! Xenya is a supernatural entity who can be summoned to right wrongs or grant wishes to those who go through the proper rituals to summon her, mostly women. The Xenya comic tells a variety of stories about her from different time periods and places in history. She is just as likely to appear to aid a witch being burnt in medieval Europe, help a modern pagan find her place in life, or to aid Amazons in ruling their land. Interestingly, Xenya is close in name and character design to TV's Xena, the Warrior Princess. The similarity seems to be a coincidence, as Xena started filming in January 1995 and Xenya #1 was published by Sanctuary Press in April 1994. Signed by Greg Hildebrandt ONLY.

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GREG HILDEBRANDT THE SHADOW Sketch
Concept Sketch; Greg Hildebrandt pencils on paper; 18" x 24" Before Greg even begins working on board he does multiple sketches to work on composition and dynamic action poses to create an interesting and exciting drawing! This is one of the many sketches Greg worked on. These sketches are interesting to see because they give you a sneak peek at how Greg begins a masterful piece of art. The Shadow, a character who first appeared in 1930's pulp novels quickly became one of the most famous heroes of his time. Originally starting out as a narrator of the Street and Smith radio program Detective Story Hour, the Shadow quickly became the star of the next in demand detective magazine. The Shadow's signature character design, was a wide-brimmed black hat and large red lined coat disguising the bottom half of his face. He appeared throughout comics in multiple forms such as comic books, comic strips, and movies. Signed by Greg Hildebrandt

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GREG HILDEBRANDT VAMPIRELLA Other Comic Art
Greg Hildebrandt mixed medium on black board; 20" x 30" Greg took this opportunity to draw Vampirella not once, not twice, but THREE TIMES on a Black Board! This is Greg's third black board of Vampirella. No one could mistake this Vampi in her signature red costume, her strong and sexy sense of confidence, and long flowing black hair as any other woman BUT Vampirella. Greg captures every bit of the character's history, personality, and life throughout this drawing. He does so by playing with the posing of a character and facial expressions. Greg is an expert at drawing out a character's personality throughout his pieces, whether it be our American Beauties or Marvel super heroes, Greg always gives us a little more as a story teller and painter. Vampirella. Created by Forrest J Ackerman and comic book artist Trina Robbins in Warren publishing's black and white horror comics magazine Vampirella #1. Vampirella is from a planet that orbits twin suns that were causing droughts across the planet. During this time a race called the Vampiri were created. They were able to transform themselves into bats at will and they had a thirst for blood. However, where Vampirella's story begins is where her planets life seems to be ending. Blood is drying up causing death and chaos among the Vampiri. Soon into their seemingly unavoidable fate, a spaceship from Earth crashes the planet. Vampirella encounters the humans and discovers that they are filled with precious blood. She joins the humans in their voyage back to Earth and continues to defend their planet and saves her own planet from death and destruction. Signed by Greg Hildebrandt

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MAGNUS, ROBOT FIGHTER #5 Preliminary Sketch
set of 3 rough cover mock-ups for Magnus, Robot Fighter #5; Russ Manning pencils and inks; all pieces approximately 8.75" x 12"

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KORAK DAILY STRIPS Strip Art
03/10/73; Alex Nino pencils and inks; 20" x 6.25"; Korak confronts a leopard and a lion while protecting damsels in distress

5 Offers  Highest Offer $625

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 38; Russ Manning pencils and inks; image size 11.25" x 16.25"; Korak and Tarzan spring into action against the leopard gang

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TARZAN AND THE MONSTER MEN Cover
Russ Manning pencils, inks and signed; image size 12" x 17"; A Monster Man holds Tarzan in the air as he brandishes his knife

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TARZAN IN THE LAND THAT TIME FORGOT Cover
back cover; Russ Manning pencils, inks and signed; image size 11.5" x 17"; Tarzan walks with a gorilla, lion and elephant

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 37; Russ Manning pencils and inks; image size 11.25" x 16.25"; Jaxon dons the Beast Master mask and becomes leader of the leopard gang

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TARZAN DAILY STRIPS Strip Art
03/10/73; Alex Nino pencils and inks; 20" x 6.25"; Tarzan swings through the trees with monkeys, then sits astride an elephant


2018-08-25: price changed from $2200.00 to $2000

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 27; Russ Manning pencils and inks; image size 11.25" x 16.25"; Tarzan searches the jungle for Korak

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 19; Russ Manning pencils and inks; image size 11.25" x 16.25"; after the leopard retreat, the Waziri and the road crew have a confrontation

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 20; Russ Manning pencils and inks; image size 11.25" x 16.25"; Tarzan intervenes in the fight between the Waziri and the road crew

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 3; Russ Manning pencils and inks; image size 11.5" x 16"; The Beast Master summons leopard minions


2018-08-25: price changed from $1200.00 to $1100

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 29; Russ Manning pencils and inks; image size 11.25" x 16.25; Tarzan battles crocodiles before calling for assistance

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TARZAN AND THE BEAST MASTER Interior Page
Pg. 36; Russ Manning pencils and inks; image size 11.25" x 16.25"; the leopard men overthrow the Beast Master after they argue about Jane's fate

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X-MEN-1963 #36 Interior Page
Pg. 13. Ross Andru pencils, George Roussos inks. Twice-up image size 12" x 19" features two panels of Angel & Cyclops sizing up Mekano

6 Offers  Highest Offer $2,700

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SUPERMAN #180 Cover
Curt Swan pencils, George Klein inks; image size 12.25" x 18.5" "The Girl Who Was Mightier Than Superman!" This cover art by Curt Swan and George Klein coincides with the growing Women's Liberation movement of the 1960s. The image of Superman being tossed around by a woman is at first comical, but the social message underneath was loud and clear, and Swan's skilled hand conveys the point with simplicity and directness.

1 Offer  Highest Offer $50,000

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SUPERMAN'S GIRLFRIEND LOIS LANE #122 Cover
Bob Oskner pencils and inks; image size 10" x 15" "77 Coffins!" Although Bob Oskner was primarily known for his work on humor comics in the 60s, he shows on the cover of Superman's Girlfriend Lois Lane, that he could handle the superhero genre as deftly as any other. The racy bondage cover really appealed to pubescent boys of the time period, and pushed the envelope of the comics code during the sexual revolution of that tumultuous era.

1 Offer  Highest Offer $7,500

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STEVE CANYON STRIP ART Strip Art
03/14/52; Milton Caniff pencils, inks and signed; image size 21.5" x 6" After achieving resounding success with his Terry and the Pirates strip, Milton Caniff went on to greater heights with Steve Canyon, a strip beloved for its thrilling action and impressive, distinct artwork. This piece was part of a selection of strips and Sundays that were discovered by Caniff's family after the artist's death, and the raw emotion and powerful use of shadow and light blend together to create a piece of art that transcends the strict structure of the comic strip. Caniff was truly a master of his form, and a legend in the industry, and this special page is a particularly memorable piece of his storied legacy.

1 Offer  Highest Offer $500

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THREE DIMENSIONAL E.C. CLASSICS #1 Splash Page
Pg. 1; Wally Wood mixed media on Crafttint paper and 5 sheets of acetate; pgs. measure approx. 15" x 22"; rare 3-D layout art Wally Wood was recognized as one of the true greats of the comic industry early on in his career, wowing readers and his peers alike with his admirable illustrating skills and his ability to work in different genres, from humor to superhero, to sci-fi and even adult-themed topics. This special piece of three-dimensional art is a rare treasure, composed of five layers of mixed media on acetate, and a sheet of Crafttint paper, these pages combine to create an almost exact replica of Wood's "V-Vampires!" story from Mad #3. Wood fans are legion, and they are passionate about his work, and this classic 3-D EC page will surely draw a ton of attention from comic art collectors.

1 Offer  Highest Offer $10,000

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WEIRD SCIENCE #16 Interior Page
Pg. 5; Al Williamson pencils and inks; image size 13" x 18.25" "Space-Borne!" Working with such luminaries in the industry as Al Feldstein, Harvey Kurtzman, George Roussos, and the legendary Frank Frazetta, Al Williamson was in rarified company, which obviously rubbed off on the young illustrator. This page from Weird Science #16 is a typical sci-fi potboiler, with the requisite surprise twist ending, but the talented Williamson cannot help but leave his indisinguishable mark on the material, and thereby raise the otherwise standard anthology fare to a higher level, comparable to his peers at the respected and storied EC publishing house.

1 Offer  Highest Offer $9,000

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CAVEWOMAN: PANGAEAN SEA #1 Cover
Unpublished Art; Budd Root pencils and inks; image size 10" x 15.5" Taking his cue from Playboy Magazine's Little Annie Fanny, Budd Root created his buxom jungle vixen, Cavewoman, who went on to acheive cult success in the twenty plus years since her first appearance in 1993. This unpublished page was intended for the first issue of the longest-running Cavewoman series, Pangaean Sea, but was kept out of the issue in favor of a different final page. Root's deft skills are on full display on this page, and fans of Good Girl Art will definitely take notice of this exemplary piece of independent comic book art.

1 Offer  Highest Offer $1,000

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ACTION COMICS-1938 #354 Cover
Curt Swan pencils, George Klein inks; image size 12.25" x 18.25" "Captain Incredible!" This is a classic Action Comics cover, which is well known by Superman fans worldwide, the comical situation is perfecly rendered by Curt Swan, who easily melds Captain Incredible's nerdy physique with Superman's muscular frame. This is one of the largest renderings of Superman to appear on the cover of Action Comics in over 150 issues, and is guaranteed to pique the interest of our comic art collecting clients.

1 Offer  Highest Offer $30,000

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MYSTERIES #5 Interior Page
Pg. 14; Iger Studios, Artist Unknown; image size 12" x 18" "The Deadly Double" Superior Publishers Limited was a scrappy little Canadian imprint who put out a variety of original comics as well as reprints of US titles. Their output was the standard fare of the post-war era, when hero books were out of vogue, they specialized in romance, war, and western genres, but also got in on the pre-code horror craze. This page, rendered with great skill by an uncredited artist from the respected Iger Studios, is a gem of horror comic art, and one can imagine it is images such as the one in the final panel that helped give rise to the Comics Code Authority in order to calm the nerves of concerned parents.

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BAFFLING MYSTERIES #20 Cover
pencils and inks attributed to Jim McLaughlin; image size 10.5" x 15.25" When Ace Magazines began publishing comics in the 1940s, they had some small-time success with Super-Mystery Comics and other wartime superhero titles, they then moved into the horror anthology genre during the post-war hero drought, and eventually found themselves embroiled in the SOTI dragnet. Baffling Mysteries was one of the top anthologies published by the scrappy Ace, and this moody bondage cover is a classic of the era, beautifully illustrated and keeping true to the company's pulp roots with the evil cult imagery.

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JUSTICE LEAGUE OF AMERICA #47 Cover
Mike Sekowsky pencils and signed, Joe Giella pencils and signed; image size 12.25" x 17" First conceived in the Golden Age, DC's Multiverse has played a huge role in the publisher's superhero mythology. In this issue of JLA the League does battle with Anti-Matter Man, whose interdimensional travel set Earth-One and Earth-Two on a collision course, and its up to our intrepid heroes to put a stop to it! This thrilling Sekowsky / Giella cover art packs the powerful punch Silver Age DC fans have come to love and seek out for their personal collections.

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CONAN THE BARBARIAN #1 Interior Page
Pg. 5; Pencils, Barry Windsor-Smith; Inks, Dan Adkins; 10" x 15" When Barry Smith and Roy Thomas teamed up to create Conan the Barbarian for Marvel Comics, the undertaking was seen as somewhat of a risky proposition, as the muscular barbarian had no connection to the Marvel Universe of superheroes, existed in a completely different time period, and took part in adventures that had more adult themes. The gamble paid off in spades, not only did Conan the Barbarian become an instant cult success, but the character was then spun off into two black-and-white magazines, Savage Tales in 1971 and the Savage Sword of Conan in 1974. Conan remained a very successful character for the publisher and went on to appear in several reboots and spin off titles well into the 1990s. This page, from the very first issue of Conan the Barbarian, shows Conan befriending Olav, the leader of a group of Aesir, as the pair discusses their business arrangement and battle strategy, providing readers an introduction to the Cimmerian warrior and his straight-forward personality. Smith s take on Conan was that of a youthful adventurer, who was still developing into manhood, and who had human weaknesses, very much the opposite of John Buscema s indestructible musclebound death machine. The early issues of Conan the Barbarian are considered to be some of Smith s best, and his clean line work and strong sense of composition were the perfect fit for Marvel s foray into the world of Sword & Sorcery, which coincided perfectly with the 1970s passion for the genre; films, tv shows, books and even new role-playing games such as Dungeons and Dragons all helped drive the demand for the pulpy adventures of Robert E. Howard and his peers. When it comes to fans of Conan, and especially Barry Smith issues, you cannot ask for much more than a page from the very first issue of the revered, long-running series. This one is certainly impressive, as it introduces the wandering barbarian hero to a whole new audience, one which would fall immediately in love with this icon of pop culture.

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AVENGERS #12 Interior Page
Pg. 19; Don Heck pencils, Dick Ayers inks; image size 13.5" x 20" "Versus the Mole Man" appears to be a rite of passage for the heroes of the Silver Age Marvel Universe and this time it's the Avengers' turn to battle the foe from down below. The core of the super-team are all here; Thor, Iron Man, Captain America, Ant-Man aka Giant-Man aka Goliath aka Yellowjacket, etc & The creative duo of Don Heck and Dick Ayers whose work on not just the Avengers, but throughout Marvel's SA have massive appeal to the original art collecting community. A particular panel of note on this page gives us a stunning silhouette of the bite-size hero, Ant-Man inside the mechanics of Mole Man's evil machine. Fans of Paul Rudd's performances in Ant Man and Captain America: Civil War will note this is exactly how the mini-Avenger foiled both the Falcon and Iron Man on the silver screen.

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HOUSE OF MYSTERY #301 Cover
Joe Kubert pencils & inks; image size 9.5" x 15" What a great DC Bronze Age Sci-Fi cover by the legendary Joe Kubert. The sense of terror Kubert is able to convey through his detailed line work and cross hatching is second to none. It should be noted for full disclosure, that the alien that appears in the background on this piece of art didn't make it onto the actual comic book. If you look closely though, you can still see part of the alien's thigh that was left in on the comic itself. Take a look at the second image on this listing. You will also notice that Kubert used white-out on his signature on the bottom left and placed it on the top left. On the comic, the signature can be seen on the bottom left still. This is the original art to the published cover.

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MARVEL FEATURE 1971-73 #12 Interior Page
Pg. 31; Jim Starlin pencils, Joe Sinnott inks; image size 10" x 15" Awesome double trouble action panels from Ironman and Thing battling it out with the Blood Brothers.

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SUPERMAN-1987 #76 Splash Page
Pg. 21, Dan Jurgens pencils & layouts, Brett Breeding finishes & inks; image size 10" x 15.5" From part 4 of Funeral for a Friend minisereies Cinematic splash piece laid out wonderfully by the talented Dan Jurgens, followed up excellently with finishes and inking, with a layover from Brett Breeding.

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MARVEL TEAM-UP ANNUAL #1 Interior Page
Pg. 26; Sal Buscema pencils, Mike Esposito inks; image size 10" x 15.5" Spider-man and the X-Men happen to be on the same flight, unknowingly, whilst returning from a conference regarding the transformation of mankind. Downed by a team of super villains that were formerly top-secret government scientist, mutated by a nuclear accident, who now personify gods of Hindu mythology. Amazing first panel featuring so many fantastic Marvel characters! Starting clockwise there's: Nightcrawler, Spider-Man, Jean Grey, aka Marvel Girl, Wolverine, Cyclops, and Piotr Rasputin, aka Colossus. This epic page of art is right at the start of the story, just before the nefarious villains are revealed. Further panels show Storm attacked by a power similar of her cohort, Banshee as he is blasted with a mysterious mind disrupter.

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HEAVY METAL BERNIE WRIGHTSON CONCEPT ART Painting
Bernie Wrightson pencils, ink, and water color on art board, signed; 10" x 15" 1981Illustration of the hulking  character Hanover Fiste featured in the stories of Captain Sternn of the early 1980s. Wrightson captures high contrasting lighting with expert water colors and inks. The Jekyll-&-Hyde-like figure creeps into the light aboard some distant, perverted spaceship as one would find in the pages of Heavy Metal Magazine. The perfect wall piece for fans of the counter culture zine or the artist himself.

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MICKEY MOUSE #141 Cover
Jack Manning pencils & inks; image size 10" x 11" An exhilarating Disney cover showcasing Mickey Mouse, Goofy, and Minnie Mouse careening toward a gap in the train tracks while speeding along in their detached rail car. Of course, this piece is right at home with any collector of the Disney genre, but anyone collecting non-hero, Bronze Age cover art is sure to appreciate these iconic characters in this thrilling composition as well.

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G.I. COMBAT 1957-87 #287 Cover
Joe Kubert pencils & inks, signed, image size 10" x 15"

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UNEXPECTED, THE #219 Cover
Joe Kubert pencils & inks; 10" x 15"

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DC SPECIAL BLUE RIBBON DIGEST #24 Cover
Wraparound cover, Joe Kubert pencils and inks House of Mystery Upon this iconic DC cover, Joe Kubert channels his inner Bernie Wrightson for this veritable feast for the eyes. Do you dare purchase &

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FROM BEYOND THE UNKNOWN #12 Cover
Joe Kubert pencils & inks; image size 10" x 15"

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FIRST FOLIO (THE JOE KUBERT SCHOOL PRESENTS) #1 Cover
Joe Kubert Pencils and inks; image size 9.5" x 15"

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FLINTSTONES COLORING BOOK Cover
Tony Tallarico pencils & inks, signed; 8.5" x 7"

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SUPERMAN FAMILY #194 Splash Page
Pg. 51, Dock Heck pencils, Joe Giella inks; image size 10" x 15" From the story, Nightmare In New

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TOMB OF DRACULA-MAGAZINE #1 Interior Page
pg 34; pencils by Gene Colan, inks and washes by Bob McLeod, 11"x17"; classic Colan corpse/skull imagery from his most legendary title

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BLACK PANTHER (1998) #48 Interior Page
pg 8, pencils by Sal Velluto, inks by Bob Almond; two panels left open for stats, but a fantastic Black Panther action pose anchors this page

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